Preface to the Third Edition | |
Introduction | |
Basic Techniques | |
The Neutral-Legato Pattern (4-Beat) | |
Staccato Patterns (4-beat) | |
The Expressive-Legato Pattern (4-Beat) | |
Starting on Counts Other Than the First Count | |
The 3-Beat | |
The 2-Beat | |
The 1-Beat | |
Dynamics and Articulation | |
Starting After the Count | |
The 6-Beat | |
Subdivision | |
Number of Beats in a Measure | |
5-Time, 7-Time, and Other Asymmetric Time Patterns | |
Applications | |
Ritardando and Accelerando | |
The Marcato Pattern | |
Rests | |
The Tenuto Pattern | |
Different Uses for Basic Patterns | |
Holds | |
Accents and Syncopation | |
Phrasing | |
Changes of Meter and Tempo | |
Application of Baton Technique | |
Free Style | |
Execution and Performance | |
Achieving Complete Physical Control | |
On Preparation in General | |
Score Study and Preparation of Orchestra Materials | |
Rehearsal Techniques | |
Conduction Opera | |
Conduction Choral Works with Orchestra | |
Interpretation and Style | |
Aspects of Interpretation | |
Choice of Tempo | |
Aspects of Performance Practice | |
Aspects of Musical Style | |
Recollections and Reflections: On Education, Conducting, and a Conductor''s Life in Our Time | |
Discussion of Complete Works or Movements | |
Wagner''s Instructions Regarding the Performance of Two of His Overtures | |
Carl Maria von Weber, Overture to Oberon | |
The First Violin Part of Mozart''s Symphony No. 35 in D Major (K.385), Marked for Performance | |
Recommended Reading General Index | |
Index of Figures and Works | |
Table of Contents provided by Publisher. All Rights Reserved. |
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