Grand Designs

  • ISBN13:


  • ISBN10:


  • Format: Paperback
  • Copyright: 2007-11-30
  • Publisher: Duke Univ Pr
  • Purchase Benefits
  • Free Shipping On Orders Over $35!
    Your order must be $35 or more to qualify for free economy shipping. Bulk sales, PO's, Marketplace items, eBooks and apparel do not qualify for this offer.
  • Get Rewarded for Ordering Your Textbooks! Enroll Now
List Price: $25.95 Save up to $0.78
  • Buy New


Supplemental Materials

What is included with this book?

  • The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.


With this richly illustrated history of industrial design reform in nineteenth-century Britain, Lara Kriegel demonstrates that preoccupations with trade, labour, and manufacture lay at the heart of Victorian-era debates about cultural institutions. Through aesthetic reform, Victorians sought to redress the inferiority of British crafts in comparison to those made on the continent and in the colonies. Declaring a crisis of design and workmanship among the British labouring classes, reformers pioneered schools of design, copyright protections, and spectacular displays of industrial and imperial wares, most notably the Great Exhibition of 1851. Their efforts culminated with the establishment of the South Kensington Museum, predecessor to the Victoria and Albert Museum, which stands today as home to the world's foremost collection of the decorative and applied arts.Kriegel's identification of the significant links between markets and museums, and between economics and aesthetics, amounts to a rethinking of Victorian cultural formation. Drawing on a wide range of sources, including museum guidebooks, design manuals, illustrated newspapers, pattern books, and government reports, Kriegel brings to life the many Victorians who claimed a stake in aesthetic reform during the middle years of the nineteenth century. The aspiring artists who attended the Government School of Design, the embattled provincial printers who sought a strengthened industrial copyright, the Exhibition-going millions who visited the Crystal Palace, the lower-middle-class consumers who learned new principles of taste in metropolitan museums, and the working men of London who critiqued the city's art and design collections are all cast by Kriegel as leading cultural actors of their day.Grand Designsshows how these Victorians vied to upend aesthetic hierarchies in an imperial age and, in the process, to refashion London's public culture.

Author Biography

Lara Kriegel is Associate Professor of History at Florida International University

Table of Contents

List of Illustrationsp. xi
Acknowledgmentsp. xv
Introductionp. 1
Configuring Design: Artisans, Aesthetics, and Aspiration in Early Victorian Britainp. 19
Originality and Sin: Calico, Capitalism, and the Copyright of Design, 1839-1851p. 52
Commodification and Its Discontents: Labor, Print Culture, and Industrial Art at the Great Exhibition of 1851p. 86
Principled Disagreements: The Museum of Ornamental Art and Its Critics, 1852-1856p. 126
Cultural Locations: South Kensington, Bethnal Green, and the Working Man, 1857-1872p. 160
Afterword: Travels in South Kensingtonp. 191
Notesp. 203
Bibliographyp. 253
Indexp. 293
Table of Contents provided by Ingram. All Rights Reserved.

Rewards Program

Write a Review