III. The Neorealist Era: Masters of Neorealism—Rossellini, De Sica, Visconti
IV. The Neorealist Era: Exploring the Boundaries of Neorealism
V. The Neorealist Era: The Break With Neorealism, the Cinema of the Reconstruction in Rossellini and Antonioni, Fellini's Trilogy of Character and Grace; and the Return of Melodrama with Visconti and De Sica
VI. The Italian "Peplum": The Sword and Sandal Epic
VII. The Golden Age of Italian Cinema: Commedia all'italiana—Comedy and Social Criticism
VIII. The Golden Age of Italian Cinema: Neorealism's Legacy to a New Generation and the Political Film
IX. The Golden Age of Italian Cinema: The Mateur Auteurs—New Dimensions of Film Narrative in Visconti, Antonioni, De Sica, and Fellini
X. The Golden Age of Italian Cinema: The Spaghetti Nightmare—the Italian Horror Film from the 1950s to the Present
XI. The Golden Age of Italian Cinema: A Fistful of Pasta—Sergio Leone and the Spaghetti Western
XII. The Golden Age of Italian Cinema: Mystery, Gore, and Mayhem--the Italian Giallo XIII. The Golden Age of Italian Cinema: Myth, Marx, and Freud in Pier Paolo Pasolini and Bernardo Bertolucci
XIV. The Poliziesco: Italian Crime Films from the 1970s to the Present
XV. The Old Guard Never Surrenders: Italy's Prewar Auteurs in the 1980s and 1990s
XVI. The Third Wave: A New Generation of Auteurs with Moretti, Nichetti, Trosi, Salvatores, Benigni, Tornatore, Giordana, Amelio, and Ozpetek
XVII. Italian Cinema Enters the Third Millennium
Endnotes
Bibliography
List of photo credits
Index
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