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Introduction | p. 3 |
The Black Writer's Use of Memory | p. 18 |
The Politics of Fiction, Anthropology, and the Folk: Zora Neale Hurston | p. 28 |
W. E. B. Du Bois and the Struggle for American Historical Memory | p. 45 |
African-American Commemorative Celebrations in the Nineteenth Century | p. 72 |
National Identity and Ethnic Diversity: "Of Plymouth Rock and Jamestown and Ellis Island"; or, Ethnic Literature and Some Redefinitions of America | p. 92 |
International Beacons of African-American Memory: Alexandre Dumas pere, Henry O. Tanner, and Josephine Baker as Examples of Recognition | p. 122 |
On the Wrong Side of the Fence: Racial Segregation in American Cemeteries | p. 130 |
What One Cannot Remember Mistakenly | p. 150 |
History-Telling and Time: An Example from Kentucky | p. 164 |
Memory and Mass Culture | p. 178 |
Performing the Memory of Difference in Afro-Caribbean Dance: Katherine Dunham's Choreography, 1938-87 | p. 188 |
"With a Whip in His Hand": Rape, Memory, and African-American Women | p. 205 |
Sherley Anne Williams' Dessa Rose: History and the Disruptive Power of Memory | p. 219 |
Art History and Black Memory: Toward a "Blues Aesthetic" | p. 228 |
On Burke and the Vernacular: Ralph Ellison's Boomerang of History | p. 244 |
The Journals of Charlotte L. Forten-Grimke: Les Lieux de Memoire in African-American Women's Autobiography | p. 261 |
Washington Park | p. 272 |
Between Memory and History: Les Lieux de Memoire | p. 284 |
Contributors | p. 301 |
Index | p. 303 |
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