Foreword: Ian McEwan and the Rational Mind | p. vii |
Series Editors' Preface | p. xi |
Acknowledgements | p. xii |
Contributors | p. xiii |
Chronology of Ian McEwan's Life | p. xv |
Introduction A Cartography of the Contemporary: Mapping Newness in the Work of Ian McEwan | p. 1 |
Surrealist Encounters in Ian McEwan's Early Work | p. 13 |
`Profoundly dislocating and infinite in possibility': Ian McEwan's Screenwriting | p. 26 |
The Innocent as Anti-Oedipal Critique of Cultural Pornography | p. 43 |
Words of War, War of Words: Atonement and the Question of Plagiarism | p. 57 |
Postmodernism and the Ethics of Fiction in Atonement | p. 70 |
Ian McEwan's Modernist Time: Atonement and Saturday | p. 83 |
Ian McEwan and the Modernist Consciousness of the City in Saturday | p. 99 |
On Chesil Beach: Another `Overrated' Novella? | p. 115 |
Journeys without Maps: An Interview with Ian McEwan | p. 123 |
References | p. 135 |
Further Reading | p. 143 |
Index | p. 151 |
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