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Notes on Contributors | |
Preface and Acknowledgements | |
Publisher's Acknowledgements | |
Introduction | p. 1 |
Gender as performance in the fiction of Angela Carter and Margaret Atwood | p. 24 |
Angela Carter's fetishism | p. 43 |
'The red dawn breaking over Clapham': Carter and the limits of artifice | p. 59 |
'But elsewhere?': the future of fantasy in Heroes and Villains | p. 73 |
The fragile frames of The Bloody Chamber | p. 88 |
The infernal appetites of Angela Carter | p. 100 |
Revenge of the living doll: Angela Carter's horror writing | p. 116 |
Angela Carter's The Sadeian Woman: feminism as treason | p. 132 |
Sexual and textual aggression in The Sadeian Woman and The Passion of the New Eve | p. 149 |
Unexpected geometries: transgressive symbolism and the transsexual subject in Angela Carter's The Passion of New Eve | p. 166 |
Boys keep swinging: Angela Carter and the subject of men | p. 184 |
Auto/biographical souvenirs in Nights at the Circus | p. 198 |
Afterword | p. 216 |
Index | p. 221 |
Table of Contents provided by Blackwell. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.