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In Juegos reunidos, Marcos Ordóñez remembers, dreams, and constructs with little cuts of his memory, an autobiographical portrait of his own feelings and his generation on the last years of the 70's in Barcelona. With the recuperation in the late seventies of democracy after more than forty years of dictatorship it was an explosion of creativity in the city headed by a new generation of artists, writers and professional cultural managers. Through Ordóñez's prose, we relay in great detail not just what is perceived, but also what is remembered, and the repeated and constant links between perception and memory.
