The Kill Artist

by Silva, Daniel

• ISBN13: 9780375500909
• ISBN10: 0375500901
• Format: Hardcover
• Copyright: 2001-01-01
• Publisher: Random House

Summary

From worldwide bestselling author Daniel Silva, praised by Newsday for "bringing new life to the international thriller,"The Kill Artistis a taut and elegantly structured novel about a reluctant hero and his mission to destroy an old enemy and preserve international peace. Gabriel Allon had a simple but brutal job: he tracked down and eliminated Israel's terrorist enemies. But when his wife and son fell victim to the danger that accompanied him everywhere, Gabriel quit and devoted himself to the work of art restoration, an occupation that had previously been a cover for his secret assignments. Now Ari Shamron, the head of Israeli intelligence, needs Gabriel's particular kind of experience to thwart a Palestinian plot to destroy the peace negotiations in the Middle East. The architect of this plot, a Palestinian zealot named Tariq, is a lethal part of Gabriel's past, so as the two begin an intercontinental game of hide-and-seek, with life and death as the prizes, the motives are as personal as they are political. The story features a vivid and fascinating supporting cast, including the magus-like Ari Shamron, a beautiful French Jewish model who is seeking retribution for her family's death in the Holocaust, and a marvelously comic down-at-the-heels London art dealer. Set these colorful and varied characters against a brilliant background of political intrigue and vengeance at the highest levels and a manhunt that covers three continents, and the result is a smart and electrically exciting global thriller.

Author Biography

Daniel Silva's first three novels — <b>The Unlikely Spy</b>, <b>The Mark of the Assassin</b>, and <b>The Marching Season</b> — were all national bestsellers and have been translated into more than twenty languages. He lives in Washington, D.C., with his wife, NBC Today show correspondent Jamie Gangel, and their two children.

Excerpts

Port Navas, Cornwall: The Present
By coincidence Timothy Peel arrived in the village the same week in July as the stranger. He and his mother moved into a ramshackle cottage at the head of the tidal creek with her latest lover, a struggling playwright named Derek, who drank too much wine and detested children. The stranger arrived two days later, settling into the old foreman's cottage just up the creek from the oyster farm.

Peel had little to do that summer — when Derek and his mother weren't making clamorous love, they were taking inspirational forced marches along the cliffs — so he determined to find out exactly who the stranger was and what he was doing in Cornwall. Peel decided the best way to begin was to watch. Because he was eleven, and the only child of divorced parents, Peel was well schooled in the art of human observation and investigation. Like any good surveillance artist, he required a fixed post. He settled on his bedroom window, which had an unobstructed view over the creek. In the storage shed he found a pair of ancient Zeiss binoculars, and at the village store he purchased a small notebook and ballpoint pen for recording his watch report.

The first thing Peel noticed was that the stranger liked old objects. His car was a vintage MG roadster. Peel would watch from his window as the man hunched over the motor for hours at a time, his back poking from beneath the bonnet. A man of great concentration, Peel concluded. A man of great mental endurance.

After a month the stranger vanished. A few days passed, then a week, then a fortnight. Peel feared the stranger had spotted him and taken flight. Bored senseless without the routine of watching, Peel got into trouble. He was caught hurling a rock though the window of a tea shop in the village. Derek sentenced him to a week of solitary confinement in his bedroom.

But that evening Peel managed to slip out with his binoculars. He walked along the quay, past the stranger's darkened cottage and the oyster farm, and stood at the point where the creek fed into the Helford River, watching the sailboats coming in with the tide. He spotted a ketch heading in under power. He raised the binoculars to his eyes and studied the figure standing at the wheel.

The stranger had come back to Port Navas.

The ketch was old and badly in need of restoration, and the stranger cared for it with the same devotion he had shown his fickle MG. He toiled for several hours each day: sanding, varnishing, painting, polishing brass, changing lines and canvas. When the weather was warm he would strip to the waist. Peel couldn't help but compare the stranger's body with Derek's.
Derek was soft and flabby; the stranger was compact and very hard, the kind of man you would quickly regret picking a fight with. By the end of August his skin had turned nearly as dark as the varnish he was so meticulously applying to the deck of the ketch.

He would disappear aboard the boat for days at a time. Peel had no way to follow him. He could only imagine where the stranger was going. Down the Helford to the sea? Around the Lizard to St. Michael's Mount or Penzance? Maybe around the cape to St. Ives.

Then Peel hit upon another possibility. Cornwall was famous for its pirates; indeed, the region still had its fair share of smugglers. Perhaps the stranger was running the ketch out to sea to meet cargo vessels and ferry contraband to shore.

The next time the stranger returned from one of his voyages, Peel stood a strict watch in his window, hoping to catch him in the act of removing contraband from the boat. But as he leaped from the prow of the ketch onto the quay, he had nothing in his hands but a canvas rucksack and plastic rubbish bag.

The stranger sailed for pleasure, not profit.

Peel took out his notebook and drew a line through the word smuggler.

The large parcel arrived the first week of September, a flat wooden crate, nearly as big as a barn door. It came in a van from London, accompanied by an agitated man in pinstripes. The stranger’s days immediately assumed a reverse rhythm. At night the top floor of the cottage burned with light — not normal light, Peel observed, but a very clear white light. In the mornings, when Peel left home for school, he would see the stranger heading down the creek in the ketch, or working on his MG, or setting off in a pair of battered hiking boots to pound the footpaths of the Helford Passage. Peel supposed he slept afternoons, though he seemed like a man who could go a long time without rest.

Peel wondered what the stranger was doing all night. Late one evening he decided to have a closer look. He pulled on a sweater and coat and slipped out of the cottage without telling his mother. He stood on the quay. looking up at the stranger's cottage. The windows were open; a sharp odor hung on the air, something between rubbing alcohol and petrol. He could also hear music of some sort — singing, opera perhaps.

---

Excerpted from The Kill Artist by Daniel Silva
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.