Envoi | p. xi |
Prologue: Born on a Powder Keg | p. xvii |
Europe: Persecutions, Wars, Ruptures, Displacements 1907-1946 and a Prehistory | |
Around the Hall of Merchants | p. 3 |
At the San Carlo Pier | p. 16 |
Ernesto Krausz Makes His Entrance | p. 29 |
Miraculous Years in Trieste | p. 45 |
In the Hietzing Bubble, Vienna, World War I | p. 56 |
A Fake Moustache for the Emperor | p. 73 |
The Irrepressible Rise of Ernesto Krausz | p. 88 |
Turning Twenty Under Fascism | p. 98 |
Bucharest: First Brush with the Avant-Garde | p. 115 |
From Neuilly to Place Vendôme | p. 126 |
Dramatic and Perilous, an Exodus to the United States | p. 138 |
Bucharest Redux: First Frost of the Cold War | p. 154 |
The Years of the Metamorphosis 1946-1956 | |
Playing Hooky at MoMA | p. 169 |
Passeur to the New World | p. 181 |
"A Touch I Am Glad Not to Have" | p. 193 |
The Right Man for the Job, or Just a Tango Dancer? | p. 203 |
From Pollock to de Kooning: Towards the Gallery Opening | p. 218 |
Absolute Leader of American Art 1957-1998 | |
New York as a Magnet | p. 231 |
Trial Shot and Masterstroke: The Jasper Epiphany | p. 245 |
A Whirlwind of Invention: "Discover a Genius a Week!" | p. 257 |
The Solomon Years | p. 271 |
The "Beatles Biennale" | p. 286 |
The Free-Spirited Teenager and the Devilish Imp | p. 305 |
The Conquest of Europe | p. 319 |
The "Svengali of Pop" | p. 332 |
Henry's Show | p. 349 |
Castelli's Network as the House of Savoy | p. 365 |
A Promised Land South of Houston Street | p. 384 |
Bad Times for Leo | p. 411 |
Tributes, Honors, a Name Carved in History | p. 431 |
Epilogue | p. 455 |
Acknowledgments | p. 465 |
Notes | p. 471 |
Index | p. 515 |
Archives | p. 535 |
Permissions Acknowledgments | p. 537 |
Illustration Credits | p. 539 |
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