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Acknowledgments | p. ix |
Preface to the second edition | p. xi |
Introduction: "an orchid in the land of technology" | p. 1 |
Live performance in a mediatized culture | p. 10 |
Teevee's playhouse | p. 11 |
Is it live, or ...? | p. 24 |
Against ontology | p. 43 |
Got live if you want it | p. 63 |
Tryin' to make it real: live performance, simulation, and the discourse of authenticity in rock culture | p. 73 |
Rock culture and the discourse of authenticity | p. 74 |
Seeing is believing | p. 85 |
I want my MTV | p. 97 |
Panic Clapton | p. 107 |
Legally live: law, performance, memory | p. 128 |
Teevee's courthouse, or the resistible rise of the videotape trial | p. 130 |
You don't own me: performance as intellectual property | p. 147 |
The Gollum problem | p. 168 |
Law and remembrance | p. 176 |
Conclusion | p. 183 |
Bibliography | p. 188 |
Index | p. 201 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.