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List of Figures | p. ix |
Acknowledgments | p. xi |
Introduction | p. 1 |
Defining the Transnational and the Cosmopolitan | |
Globalization, Transnation and Utopia | p. 13 |
Politics or Ethics? On Cosmopolitanism | p. 30 |
The Ethics of a Critical Cosmopolitanism for the Twenty-First Century | p. 48 |
Toward a Philosophy of Transnationalism | p. 63 |
Toward a Non-Cynical Universalism | p. 89 |
Historicizing the Transnational and the Cosmopolitan | |
The Fascination of "Living Together in a Civilized Way" or Nations and Cosmopolitanism in More's Utopia (1516) and Ribeiro's Wild Utopia (1982) | p. 99 |
Cultural Nationalism Reconsidered: Ossian in Postcolonial Perspectives | p. 115 |
Hard and Soft Cosmopolitanism: The Eighteenth Century and After | p. 126 |
Exhibiting Difference: The Museum as a Guide to Spectatorship | p. 139 |
The First Colonial Art Museum and Transnationalism in the Visual Arts: Saint-Denis, La Réunion, 1912 | p. 157 |
Redefining Transnationalism (s) vs. International Commodification | |
Remembering Africa: Africa as the Sign of the Transnational in Black-British Writing | p. 175 |
The Great Game: The Geopolitics of Secret Knowledge | p. 191 |
The Transnational Passage of the Spanish Word Cimarrón | p. 206 |
The Border as Third Space: Between Colonial Gaze and Transnational Dislocation | p. 217 |
Cracked Communicating Vessels: Sexuality, Body Modification, and Flesh in the West and the 'non-West' | p. 228 |
Globalizing Jane Austen: An Analysis of Gurinder Chadha's Pride and Prejudice Adaptation Bride and Prejudice | p. 249 |
List of Contributors | p. 265 |
Index | p. 271 |
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