Introduction: The Gaze in the Mirror of Art | p. 7 |
Marcel Duchamp: Glass and Keyhole | p. 17 |
The Work on Perspective | |
The Large Glass and Étant Donnés | |
The Seasick Duchamp | |
The Small Glass from Buenos Aires | |
The Installation on the Balcony | |
The Fourth Dimension | |
"Nominalism" in the Arts and Sciences | |
The "Unhappy Ready-Made" | |
"Mona Lisa" and "Rrose Selavy" | |
The Rotating "Glass" as Optical Illusion | |
The Bride in the Store Window | |
Hiroshi Sugimoto: Time's Mirror | p. 77 |
An Early Migrant Artist | |
Photography as Conceptual Art | |
Light Pictures and Film Lighting | |
Time Exposed | |
Cyclical Time by the Sea | |
"Time's Arrow" | |
The Thousand Temple Figures | |
Portraits of Wax Figures | |
The Return to Duchamp | |
Concepts as Models | |
Jeff Wall: The Staging of the Gaze | p. 137 |
Conceptual Art in Images | |
Duchamp's Keyhole and Perspective | |
"Destruction" on a Stage | |
Manet's Work-Crisis | |
The Camera in the Mirror | |
The Double Self-Portrait | |
Movie Audience | |
The Invisible Man | |
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