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9780385737289

The Magician

by
  • ISBN13:

    9780385737289

  • ISBN10:

    0385737289

  • Edition: Reprint
  • Format: Paperback
  • Copyright: 2009-04-28
  • Publisher: Ember

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Supplemental Materials

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Summary

TheNew York Timesbestseller now in paperback! In the second book in theNew York Timesbestselling series, Nicholas, Sophie, Josh, and Scatty emerge in Paris, the City of Light, home to Nicholas Flamel. Only this homecoming is anything but sweet. Niccolo Machiavelli, immortal author and celebrated art collector, lives in Paris and is working for Dr. John Dee. He's in hot pursuit, and time is running out for Nicholas and Perenell. Josh and Sophie Newman are the world's only hope. . . . If they don't turn on each other first. "Readers will be swept up."Kirkus Reviews, Starred "An exciting and impeccably thought-out fantasy, well-suited for those left in the lurch by Harry Potter's recent exeunt."Booklist "Fans . . . will certainly find much to love, root for, and fear in this successful second installment."School Library Journal

Author Biography

An authority on mythology and folklore, Michael Scott is one of Ireland’s most successful authors. The Magician is the second book in the New York Times bestselling Secrets of the Immortal Nicholas Flamel series. You can visit Michael Scott at www.dillonscott.com. He lives in Dublin, Ireland.

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Excerpts

CHAPTER ONE

The charity auction hadn’t started until well after midnight, when the gala dinner had ended. It was almost four in the morning and the auction was only now drawing to a close. A digital display behind the celebrity auctioneer—an actor who had played James Bond on-screen for many years—showed the running total at more than one million euro.

“Lot number two hundred and ten: a pair of early- nineteenth-century Japanese Kabuki masks.”

A ripple of excitement ran through the crowded room. Inlaid with chips of solid jade, the Kabuki masks were the highlight of the auction and were expected to fetch in excess of half a million euro.

At the back of the room the tall, thin man with the fuzz of close-cropped snow white hair was prepared to pay twice that.

Niccolò Machiavelli stood apart from the rest of the crowd, arms lightly folded across his chest, careful not to wrinkle his Savile Row–tailored black silk tuxedo. Stone gray eyes swept over the other bidders, analyzing and assessing them. There were really only five others he needed to look out for: two private collectors like himself, a minor European royal, a once-famous American movie actor and a Canadian antiques dealer. The remainder of the audience were tired, had spent their budget or were unwilling to bid on the vaguely disturbing-looking masks.

Machiavelli loved all types of masks. He had been collecting them for a very long time, and he wanted this particular pair to complete his collection of Japanese theater costumes. These masks had last come up for sale in 1898 in Vienna, and he had then been outbid by a Romanov prince. Machiavelli had patiently bided his time; the masks would come back on the market again when the Prince and his descendents died. Machiavelli knew he would still be around to buy them; it was one of the many advantages of being immortal.

“Shall we start the bidding at one hundred thousand euro?”

Machiavelli looked up, caught the auctioneer’s attention and nodded.

The auctioneer had been expecting his bid and nodded in return. “I am bid one hundred thousand euro by Monsieur Machiavelli. Always one of this charity’s most generous supporters and sponsors.”

A smattering of applause ran around the room, and several people turned to look at him and raise their glasses. Niccolò acknowledged them with a polite smile.

“Do I have one hundred and ten?” the auctioneer asked.

One of the private collectors raised his hand slightly.

“One-twenty?” The auctioneer looked back to Machiavelli, who immediately nodded.

Within the next three minutes, a flurry of bids brought the price up to two hundred and fifty thousand euro. There were only three serious bidders left: Machiavelli, the American actor and the Canadian.

Machiavelli’s thin lips twisted into a rare smile; his patience was about to be rewarded, and finally the masks would be his. Then the smile faded as he felt the cell phone in his back pocket buzz silently. For an instant he was tempted to ignore it; he’d given his staff strict instructions that he was not to be disturbed unless it was absolutely critical. He also knew they were so terrified of him that they would not phone unless it was an emergency. Reaching into his pocket, he pulled out the ultraslim phone and glanced down.

A picture of a sword pulsed gently on the large LCD screen.

Machiavelli’s smile vanished. In that second he knew he was not going to be able to buy the Kabuki masks this century. Turning on his heel, he strode out of the room and pressed the phone to his ear. Behind him, he could hear the auctioneer’s hammer hit the lectern “Sold. For two hundred and sixty thousand euro . . .”

“I’m here,” Machiavelli said, reverting to the Italian of his youth.

Excerpted from The Magician by Michael Scott
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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