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9780240803302

The Midi Manual

by
  • ISBN13:

    9780240803302

  • ISBN10:

    0240803302

  • Edition: 2nd
  • Format: Paperback
  • Copyright: 1998-12-01
  • Publisher: Focal Pr
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List Price: $56.95

Summary

MIDI is a digital language that allows multiple electronic instruments, performance controllers, computers and other related devices to communicate with each other within a network in a performance setting, so that a musician can create, develop, and/or perform a song in a practical, flexible and affordable production environment. This book has been established as the most complete reference on the subject, by a very respected sound engineer and author. this manual has been revised and updated to include the new developments in hardware and software. Tips and practical examples on sequencing and mixing techniques have been added to enhance its usefulness as a reference tool for sound engineers, musicians and students.

Table of Contents

Foreword xi
1 What Is MIDI?
1(10)
A Brief History
2(2)
Electronic Music Production
4(7)
MIDI in the Home
5(1)
MIDI in the Studio
6(1)
MIDI in Audio-for-Video and Film
7(1)
MIDI in Live Performance
8(1)
MIDI and Multimedia
9(2)
2 MIDI 1.0
11(26)
Exploring the Specification
11(1)
The Digital Word
11(2)
The MIDI Message
13(24)
MIDI Channels
14(2)
MIDI Modes
16(3)
Channel-Voice Messages
19(10)
Channel-Mode Messages
29(3)
System Messages
32(4)
Running Status
36(1)
3 The Hardware
37(18)
System Interconnection
37(6)
The MIDI Cable
37(1)
MIDI Ports
38(1)
MIDI Echo
39(1)
Typical Configurations
40(3)
MIDI and the Personal Computer
43(3)
The Mac
44(1)
The PC
44(1)
The Atari
45(1)
Portability
45(1)
The MIDI Interface
46(3)
MIDI Distribution and Processing
49(6)
Merging MIDI Data
50(1)
Patching MIDI Data
50(2)
Filtering MIDI Data
52(1)
Mapping MIDI Data
52(1)
Processing MIDI Data
53(1)
MIDI Diagnostic Tools
53(2)
4 Electronic Musical Instruments
55(22)
Inside the Toys
55(3)
Keyboards
58(12)
The Synthesizer
58(7)
The Digital Sampler
65(4)
The MIDI Keyboard Controller
69(1)
Non-Keyboard Controllers
70(1)
Percussion
70(5)
The Drum Machine
70(2)
Alternative Percussion Voices
72(1)
MIDI Drum Controllers
72(3)
The MIDI Vibraphone
75(1)
MIDI Guitars
75(1)
MIDI Wind Controllers
76(1)
5 Sequencing
77(30)
Hardware Sequencers
78(1)
Integrated Workstation Sequencers
79(1)
Software Sequencers
79(1)
Basic Introduction to Sequencing
80(24)
Recording
80(2)
Editing
82(1)
Main Edit Screen
83(12)
Practical Editing Techniques
95(4)
Work Those Tracks!
99(4)
Standard MIDI Files
103(1)
Other Sequencer Types
104(3)
Drum Pattern Editor/Sequencers
104(2)
Algorithmic Composition Programs
106(1)
6 Editor/Librarians
107(10)
A Historical Perspective
109(1)
The Patch Editor
109(4)
Hardware Patch Editors
111(1)
Universal Patch Editor
112(1)
The Patch Librarian
113(1)
Alternative Sources for Obtaining Patch Data
114(3)
7 Music Printing Programs
117(8)
Entering Music Data
117(3)
Scanning a Score
119(1)
Editing a Score
120(1)
Playing Back a Score
121(1)
Printing a Score
122(3)
Printing from Your Sequencer
122(3)
8 Digital Audio in MIDI Production
125(40)
Samplers
125(6)
Sample Editing
126(3)
The Sample Editor
129(1)
Distribution of Sampled Audio
129(2)
Hard Disk Recording
131(6)
Hard Disk Editing
133(1)
Basic Editing Techniques
134(3)
Digital Signal Processing
137(10)
Real-Time Digital Signal Processing
139(1)
Basic Digital Signal Processing Techniques
139(2)
Advanced Digital Signal Processing Editing Tools
141(6)
Hard Disk Editing Systems
147(6)
The Virtual Track
149(2)
The Digital Audio Workstation
151(2)
Digital Recording Systems
153(5)
Digital Audio Tape
153(2)
Modular Digital Multitrack Systems
155(3)
Digital Transmission
158(3)
S/PDIF
159(1)
SCMS
159(1)
Signal Distribution
160(1)
CD Recorders
161(4)
9 Multimedia
165(14)
The Multimedia Environment
165(2)
Task Switching
165(1)
Device Driver
166(1)
Hardware
167(1)
The Media
168(8)
Graphics
168(1)
Desktop Video
169(1)
MIDI
170(2)
Digital Audio
172(4)
Multimedia and the Web
176(3)
Streaming Audio
176(2)
Streaming Video
178(1)
10 Synchronization
179(26)
Synchronization between Analog Transports
180(8)
SMPTE Time Code
180(5)
LTC and VITC Time Code
185(3)
SMPTE to MIDI Conversion
188(1)
Synchronization in Electronic Music Production
188(6)
Non-MIDI Synchronization
188(2)
MIDI-Based Sync
190(2)
MIDI Time Code
192(2)
Digital Audio Synchronization
194(11)
The Need for a Stable Timing Reference
194(2)
Synchronization Methods
196(3)
Real-World Sync Applications for Using Time Code and MIDI Time Code
199(6)
11 MIDI-Based Mixing and Automation
205(18)
Analog Mixers
205(3)
Need More Inputs?
206(2)
Mixing via MIDI
208(11)
Dynamic Mixing via MIDI Control-Change Messages
209(3)
Mixing a Sequence
212(3)
MIDI Remote Controllers
215(1)
Mixing in Conjunction with a Digital Audio Editor
216(1)
MIDI-Based Automation Systems
217(2)
Signal Processors in MIDI Production
219(4)
Effects Automation in MIDI Production
219(1)
Dynamic Effects Editing via MIDI
220(1)
MIDI Signal Processing and Effects Devices
221(1)
Musical Instrument Processors
221(2)
A The MIDI 1.0 Specification
223(14)
Introduction
223(1)
Conventions
223(1)
Hardware
224(1)
Data Format
225(11)
Message Types
225(1)
Data Types
226(1)
Channel Modes
227(1)
Power-Up Default Conditions
228(8)
"MIDI from the Source..."
236(1)
Document Revision History
236(1)
Ordering Information
236(1)
B The MIDI Implementation Chart
237(6)
Guidelines for Using the Chart
238(1)
Detailed Explanation of the Chart
238(5)
C Continued Education
243(2)
The Web
244(1)
Index 245

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