rent-now

Rent More, Save More! Use code: ECRENTAL

5% off 1 book, 7% off 2 books, 10% off 3+ books

9780197631720

Mobilizing Music in Wartime British Film

by Wiebe, Heather
  • ISBN13:

    9780197631720

  • ISBN10:

    019763172X

  • eBook ISBN(s):

    9780197631744

  • Format: Paperback
  • Copyright: 2024-10-11
  • Publisher: Oxford University Press

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

Purchase Benefits

  • Free Shipping Icon Free Shipping On Orders Over $35!
    Your order must be $35 or more to qualify for free economy shipping. Bulk sales, PO's, Marketplace items, eBooks and apparel do not qualify for this offer.
  • eCampus.com Logo Get Rewarded for Ordering Your Textbooks! Enroll Now
List Price: $48.00 Save up to $19.20
  • Rent Book $28.80
    Add to Cart Free Shipping Icon Free Shipping

    TERM
    PRICE
    DUE
    USUALLY SHIPS IN 3-5 BUSINESS DAYS
    *This item is part of an exclusive publisher rental program and requires an additional convenience fee. This fee will be reflected in the shopping cart.

How To: Textbook Rental

Looking to rent a book? Rent Mobilizing Music in Wartime British Film [ISBN: 9780197631720] for the semester, quarter, and short term or search our site for other textbooks by Wiebe, Heather. Renting a textbook can save you up to 90% from the cost of buying.

Summary

In Mobilizing Music in Wartime British Film, author Heather Wiebe traces a preoccupation with art music and total war that animated British films of the 1940s. In acclaimed films such as The Red Shoes and Brief Encounter as well as experimental documentaries, colonial propaganda films, and largely forgotten melodramas, music was persistently given a central role in the action. As this book demonstrates, these films were driven by questions around the efficacy of art music, not just in the conventional sense of uplift or morale-building, but as a sonic force acting on bodies, minds, and materials, and as a resource to be mobilized or demobilized. Wiebe explores what these films tell us about the experience of World War Two, but also about more contemporary pressures on the arts to be useful and productive. In their concerns with music and wartime life away from the battle front, these films offer insight into the affective experience of war: not just as violence and trauma, but as everyday boredom and melancholy, as loneliness, helplessness, and disappointment. Most of all, they show how music was used to test the limits of "total war," and to conceptualize its new reach into all corners of life

Author Biography

Heather Wiebe is the author of Britten's Unquiet Pasts: Sound and Memory in Postwar Reconstruction. She teaches at the University of Notre Dame, and was previously Reader in Music at King's College London.

Table of Contents

Introduction
1. Music, Feeling, and Total War: Listen to Britain and Millions Like Us
2. “A Classic of the Masses:” The Warsaw Concerto and Dangerous Moonlight
3. Recuperating Selfhood: Love Story and Men of Two Worlds
4. Sounding Out Civilian Trauma: The Seventh Veil and Brief Encounter
5. Possessed by Music: The Glass Mountain and The Red Shoes
Filmography
Bibliography
Index

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Rewards Program