Acknowledgments | |
Introduction: Studying Gender in Mediterranean Musical Cultures | |
A Man's Game? Engendered Song and the Changing Dynamics of Musical Activity in | |
Body and Voice: The Construction of Gender in | |
Those "Other Women": Dance and Femininity among | |
The Gender of the Profession: Music, Dance, and Reputation among Balkan Muslim | |
Come into Play: Dance, Music, and Gender in Three Calabrian Festivals | |
The Female Dervish and Other Shady Ladies of | |
Archivists of Memory: Written Folksong Collections of Twentieth-Century Sephardi Women | |
Representations and Female Roles in the Raiuml | |
Poetry as a Strategy of Power: The Case of Riffian Berber Women | |
Nashat: The Gender of Musical Celebration in | |
On Religion, Gender, and Performing: Female Performers and Repentance in Egypt | |
Male, Female, and Beyond the Culture and Music of Roma in | |
The Tearful Public Sphere: Turkey's "Sun of Art," | |
"And She Sang a New Song": Gender and Music on the Sacred Landscapes of the Mediterranean | |
List of Contributors | |
Index | |
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