Music (with CourseMate Printed Access Card)

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  • Edition: 1st
  • Format: Paperback
  • Copyright: 2011-01-01
  • Publisher: Cengage Learning
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In both content and design, MUSIC aims to meet the course challenges of cost, brevity, and relevance to students. Created through a "student-tested, faculty-approved" review process with hundreds of students and 200 faculty, MUSIC is an engaging and accessible solution to the diverse lifestyles of today's learners. MUSIC integrates classical works and vernacular music by introducing a broad range of styles and genres from the Middle Ages through the twenty-first century and the connections and contrasts between them. The result is a well-rounded view of musical life in each era. MUSIC is designed to meet the needs of instructors who want to give their students an inexpensive and brief text that has an appealing magazine style with short chapters that can easily be read in a sitting, as well as a strong technology component. The text is accompanied by an audio CD set, an interactive eBook, and a CourseMate website with streaming music, interactive listening guides, interactive demos of musical elements, interactive style comparisons, quizzing, flashcards, and more.

Table of Contents

The Elements of Music
Points of Entry
Sound and Silence
Dynamics and Instrumentation
Organizing Music
Harmony and Texture
Seven Centuries of Music
Musical Life, 1000-1700
Medieval, Renaissance, and Early Baroque Music
The Middle Ages
Secular Song and Dance in France
Keys to Medieval Music
The Renaissance
Josquin des Prez and Renaissance Polyphony
Music in Elizabethan England
Keys to Renaissance Music
Early and Middle Baroque Opera
Monteverdi and Early Opera
Henry Purcell and Middle Baroque Opera
Music in the Americas
The Eighteenth Century
Musical Life in the Eighteenth Century
From Baroque to Classical
Late Baroque Instrumental Music
Sonata and Suite
The Baroque Concerto
Late Baroque Vocal Music
Late Baroque Opera... and "Opera" in England
Sacred Vocal Music: Cantata and Oratorio
Keys to Baroque Style
Music and Politics
The Classical Style
Classical Sonata and String Quartet
The Classical Symphony
Mozart and Opera
The Classical Concerto
Keys to Classical Styl
The Nineteenth Century
Musical Life in the Nineteenth Century
The Romantic Era
Beethoven and the Piano Sonata
Beethoven and the Symphony
Vocal Music in the Nineteenth Century
Schubert and the Art Song
Spiritual Music: The Requiem
Operetta and Op?ra Comique
Opera and Music Drama
Romantic Instrumental Music
Early Romantic Piano Music
The Romantic Orchestra and Program Music
The Symphony and Concerto in the Romantic Era
Music and Dance: The Waltz
Keys to Romantic Styl
The Twentieth Century and Beyond
Musical Life in the Twentieth Century and Beyond
The Twentieth Century and Beyond
"Isms": European Concert Music in the Early Twentieth Century
Impressionism and Beyond
American Classical and Classic Music in the Early Twentieth Century
Charles Ives: Toward an American Art Music
"Lift Ev'ry Voice": The African American Spiritual
The Jazz Age
The Broadway Musical and American Popular Song
European Concert Music Between the Wars
Stravinsky and Neoclassicism
Art and the People: The Americas
Art and the People: Eastern Europe
Sound Frontiers
The American Avant-Garde After 1945
The Avant-Garde in Europe
From Vernacular to Art
Jazz: America's Art Music
Musical Theater After Show Boat
Latin Dance Music
The Rock Revolution
Late Twentieth-Century Music for Concert and Film
Uncommon Women
Music and Film
Keys to Twentieth-Century Style Index
Hildegard of Bingen, "Nunc aperuit nobis" Machaut, "Puis qu'en oubli"
Anonymous, "La ultime estampie real" Anonymous, "L'homme arm?" tune
Josquin, Kyrie, from Missa l'homme arm? sexti toni
Luther, "Ein' feste Burg ist unser Gott"
Luther/Walter, "Ein' feste Burg ist unser Gott"
Bach, Chorale, from "Ein' feste Burg ist unser Gott"
Wilbye, "Adew, Sweet Amarillis"
Morley, "O Mistresse Mine" (vocal)
Morley, "O Mistresse Mine" (instrumental)
Monteverdi, "Possente spirto,"
Orfeo Purcell, "Thy Hand, Belinda,"
Dido and Aeneas Purcell, "When I Am Laid in Earth,"
Dido and Aeneas Plains Indians War Dance
Anonymous, Song for Odudua Anonymous, "Barbara Allen"
Guinchard, "Boston Laddie"
Corelli, Sonata in C major, 1st & 2nd movements
Bach, Gigue, from Orchestral Suite No. 3 Vivaldi, Violin
Concerto in E major ("Spring"), 1st movement
Bach, Brandenburg Concerto No. 3, 1st movement
Handel, "E pur cos?" and "Pianger?,"
Giulio Cesare in Egitto Gay/Pepusch, "I'm Bubbled," "Cease Your Funning," and "How Now, Madam Flirt?"
The Beggar's Opera Bach, "Und wenn die Welt voll
Teufel w?r," from Cantata No. 80, Ein' feste Burg ist unser
Gott Handel, Hallelujah Chorus, from Messiah Anonymous, "God Save the King"
Haydn, "Gott erhalte Franz den Kaiser"
Billings, "Chester" Mozart, Sonata in F major, 1st movement
Haydn, String Quartet in C major ("Bird"), 1st movement
Haydn, Symphony No. 94 in G major, 1st movement
Mozart, "L? ci darem la mano,"
Don Giovanni Mozart, "A cenar teco,"
Don Giovanni Mozart, Concerto in C minor, 1st movement
Beethoven, Sonata No. C minor ("Path?tique"), 1st movement
Beethoven, Symphony No. 5 in C minor, 1st-4th movements
Schubert, Erlk?nig Schubert, Gretchen am Spinnrade
Foster, "Jeanie with the Light Brown Hair"
Foster, "De Camptown Races" The Duhks, "Camptown Races"
Brahms, "Wie lieblich sind deine Wohnungen," from Ein deutsches
Requiem Adams/Mason, "Nearer, My God, to Thee"
Newton, "Amazing Grace"
Gilbert/Sullivan, "I Am the Very Model of a Modern Major-General,"
The Pirates of Penzance Bizet, "L'amour est un oiseau rebelle,"
Carmen Verdi, "Dite alla giovine,"
La traviata Wagner, Act 1 conclusion
Die Walk?re C. Schumann, Romance in G minor
R. Schumann, "Aufschwung," from Fantasiest?cke
Chopin, Etude in C minor ("Revolutionary")
Chopin, Prelude No. 3 in G major
Chopin, Prelude No. 4 in E minor
Berlioz, "Songe d'une nuit de sabbat,"
Symphonie fantastique, 5th movement
Brahms, Symphony No. 2 in D major, 3rd movement
Tchaikovsky, Violin Concerto in D major, 3rd movement
Strauss, The Emperor Waltz, excerpt
Tchaikovsky, Waltz, from The Sleeping Beauty
Dvor?k, Slavonic Dance in G minor Schoenberg, "Nacht,"
Pierrot lunaire Debussy, "Voiles," from Preludes
Debussy, "Minstrels," from Preludes
Stravinsky, "Introduction," "The Augurs of Spring," and "Mock Abduction," from The Rite of Spring Sousa, "The Stars and Stripes Forever"
Joplin, "The Entertainer" Ives, "Putnam's Camp, Redding, Connecticut," from Three Places in New
England Hayes, "Lord, I Can't Stay Away" Smith, "Empty Bed Blues"
Armstrong, "Hotter Than That"
Gershwin, Rhapsody in Blue
Kern/Hammerstein, "Can't Help Lovin' Dat Man,"
Show Boat Webern, Concerto for Nine Instruments, 2nd movement Stravinsky, Symphony of Psalms, 1st movement
Chavez, Sinfon?a India, excerpt Copland, Appalachian Spring, 1st & 2nd sections
Bart?k, Music for Strings, Percussion, and Celesta, 2nd movement
Prokofiev, "Peregrinus expectavi," from Alexander
Nevsky Cage, Sonata V from Sonatas and Interludes
Babbitt, Ensembles for Synthesizer, excerpt Penderecki, Tren (Threnody for the Victims of Hiroshima), excerpt
Parker/Gillespie, "Salt Peanuts" Bernstein/Sondheim, "Cool,"
West Side Story Machito, "Carambola"
Piazzolla, "Chiqu?"
Berry, "Sweet Little 16"
Wilson, "Surfin' U.S.A."
Dylan, "Subterranean Homesick Blues"
Tower, Fanfare for the Uncommon Woman
Zwilich, Concerto Grosso 1985, 1st movement
Williams, "Main Title/Rebel Blockade Runner,"
Star Wars Episode IV Tan, "Farewell,"
Crouching Tiger, Hidden Dragon
Reich, Music for 18 Musicians
Section IIIA P?rt
Kyrie, from Berlin Mass
Table of Contents provided by Publisher. All Rights Reserved.

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