Musical Exoticism: Images and Reflections

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  • Edition: 1st
  • Format: Hardcover
  • Copyright: 2009-04-27
  • Publisher: Cambridge University Press
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A Japanese geisha, a Middle Eastern caravan, a Hungarian-'Gypsy' fiddler, Carmen flinging a rose at Don JosŤ - portrayals of people and places that are considered somehow 'exotic' have been ubiquitous from 1700 to today, whether in opera, Broadway musicals, instrumental music, film scores, or in jazz and popular song. Often these portrayals are highly stereotypical but also powerful, indelible and touching - or troubling. Musical Exoticism surveys the vast and varied repertoire of Western musical works that evoke exotic locales. It relates trends in musical exoticism to other trends in music, such as programme music and avant-garde experimentation, as well as to broader historical developments such as nationalism and empire. Ralph P. Locke outlines major trends in exotic depiction from the Baroque era onward, and illustrates these trends through close study of numerous exotic works, including operas by Handel and Rameau, Mozart's 'Rondo alla turca', 'Madame Butterfly' and 'West Side Story'.

Table of Contents

Music, the world, and the critic
Questions of value
Exoticism with and without exotic style
Who is 'Us'?: the national and/as the exotic, and the treatment of stereotypes
Baroque portrayals of despots: ancient Babylon, Incan Peru
A world of exotic styles, 1750ndash;1880
Exotic operas and two Spanish 'Gypsies'
Imperialism and 'the exotic Orient'
Exoticism in a modernist age (ca. 1890ndash;1960)
Exoticism in a global age (ca. 1960 to today)
Epilogue: exotic works of the past, today
Table of Contents provided by Publisher. All Rights Reserved.

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