What is included with this book?
Part I: Caribbean Transnationalisms | |
Amalgamating Musics: Popular Music and Cultural Hybridity in the Americas - Deborah Pacini-Hernández | |
“La Cuba de Ayer/La Cuba de Hoy”: The Politics of Music in the Cuban-American Community - Gema R. Guevara | |
“Con Sabor a Puerto Rico”: The Reception and Influence of Puerto Rican Salsa in Venezuela - Marisol Berríos-Miranda | |
“Le Français dans la Rue”: Caribbean Music, Language, and the African Diaspora - James A. Winders | |
Popular Music and Culture in Puerto Rico: Jamaican and Rap Music as Cross-Cultural Symbols - Jorge L. Giovannetti | |
Mambo Kings to West African Textiles: A Synesthetic Approach to Black Atlantic Aesthetics - Paul Austerlitz | |
Part II: Cultural Hybridity in the Americas | |
Musical Frontiers in Martín Fierro - Bridget M. Morgan | |
José María Arguedas’s Representation of la Danza de las Tijeras : A Contribution to the Formation of Andean Culture - Juan Zevallos-Aguilar; translated by María Elena Cepeda | |
Tradition, Modernity, and Artistic Agency in Trinidad’s Panorama Steelband Competition - Shannon Dudley | |
El Mariachi: Musical Repertoire as Sociocultural Investment - Cándida F. Jáquez | |
Raza con Jazz, Rock con Raza: Latinos/as and Post-World War II Popular American Music - Anthony Macías |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.