Prologue : Constable in my town | |
Jig saw Constable | p. 1 |
On the day John Constable came to town | p. 2 |
The Constable revolution | p. 7 |
Abolition | p. 9 |
The man who stayed home | p. 10 |
Apprenticeship with memory | p. 11 |
The art of seeing nature | p. 13 |
It is forever summer | p. 14 |
John and Maria | p. 19 |
Views from his father's house, 1815 | p. 23 |
Stratford Mill, 1820, the landscape of true marriage | p. 24 |
A kingdom of my own | p. 27 |
Salisbury Cathedral from the meadows | p. 30 |
Constable in Liverpool | p. 32 |
In the dark now | p. 34 |
The Claudes! The Claudes! | p. 39 |
Jacob von Ruysdael | p. 43 |
Wheatfields, Von Ruysdael, 1670 | p. 44 |
Delacroix in England, 1825 | p. 45 |
Turner | p. 47 |
Rural rides | p. 52 |
Providence by hind-sight | p. 53 |
Suffolk lore | p. 54 |
South folk strike back | p. 55 |
The vegetable kingdom | p. 56 |
Mr. Gilpin on nature, 1809 | p. 58 |
In Constable's country, 1906 | p. 60 |
Cornish Constable country, 1932 | p. 61 |
Constable revisited, 1984 | p. 62 |
B and b | p. 64 |
Some days I have little to say | p. 65 |
Boat building, 1815-1987 | p. 67 |
Constable's letters coming to life | p. 68 |
If you're not in the picture | p. 73 |
Ploughing scene in Suffolk | p. 75 |
Plein air | p. 81 |
Medium's message | p. 82 |
Sleight of landscape | p. 83 |
The rules for art | p. 84 |
Landscape has a house and road | p. 85 |
No God but history | p. 86 |
Chromatics | p. 87 |
Gilpin on nature, 2 | p. 89 |
Under attack | p. 93 |
Ruskin on Constable | p. 95 |
Foregrounding | p. 97 |
Leaping hare | p. 98 |
Auerbach | p. 99 |
I've a nice collection of paintins, sir | p. 100 |
Constable at Maxims - sour | p. 102 |
Constable at Maxims - sweet | p. 104 |
Epilogue : the man who fell from sight | p. 109 |
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