PREFACE TO THE SECOND EDITION | V | ||||
INTRODUCTION: WHAT MAKES "ART" SUCH A PROBLEMATIC CONCEPT? | 1 | (116) | |||
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13 | (13) | |||
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26 | (14) | |||
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40 | (9) | |||
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49 | (15) | |||
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64 | (9) | |||
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73 | (11) | |||
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84 | (18) | |||
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102 | (8) | |||
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110 | (7) | |||
10. ART AS SIGNIFICANT FORM: CLIVE BELL | 117 | (8) | |||
11. ART AS EXPRESSION: R. G. COLLINGWOOD | 125 | (12) | |||
12. ART AS EXPERIENCE: JOHN DEWEY | 137 | (12) | |||
13. ART AS TRUTH: MARTIN HEIDEGGER | 149 | (22) | |||
14. ART AS AURATIC: WALTER BENJAMIN | 171 | (9) | |||
15. ART AS LIBERATORY: THEODOR ADORNO | 180 | (7) | |||
16. ART AS INDEFINABLE: MORRIS WEITZ | 187 | (8) | |||
17. ART AS EXEMPLIFICATION: NELSON GOODMAN | 195 | (10) | |||
18. ART AS THEORY: ARTHUR DANTO | 205 | (13) | |||
19. ART AS INSTITUTION: GEORGE DICKIE | 218 | (9) | |||
20. ART AS AESTHETIC PRODUCTION: MONROE C. BEARDSLEY | 227 | (13) | |||
21. ART AS MAKE-BELIEVE: KENDALL WALTON | 240 | (14) | |||
22. ART AS TEXT: ROLAND BARTHES | 254 | (6) | |||
23. ART AS FETISH: ADRIAN PIPER | 260 | (11) | |||
24. ART AS DECONSTRUCTABLE: JACQUES DERRIDA | 271 | (15) | |||
25. ART AS FEMINISM: CAROLYN KORSMEYER | 286 | (13) | |||
26. ART AS CULTURAL PRODUCTION: PIERRE BOURDIEU | 299 | (13) | |||
27. ART AS CONTEXTUAL: DELE JEGEDE | 312 | (11) | |||
28. ART AS POSTCOLONIAL: KWAME ANTHONY APPIAH | 323 | (11) | |||
29. ART AS VIRTUAL: DOUGLAS DAVIS | 334 | (12) | |||
ABOUT THE AUTHORS | 346 | (4) | |||
CREDITS LIST | 350 |
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