| The Garden | p. 3 |
| The Fields | p. 3 |
| Grace before Meat | p. 6 |
| Another | p. 6 |
| How the Job Gets Done | p. 7 |
| In the Garden | p. 7 |
| I Love You | p. 7 |
| Transmogrification of the Diva | p. 8 |
| Dipperful | p. 8 |
| The Reader | p. 10 |
| My Grandmother Washes Her Feet | p. 11 |
| Third Base Coach | p. 16 |
| Strike Zone | p. 16 |
| Some of It | p. 17 |
| Narcissus and Echo | p. 18 |
| The Story | p. 18 |
| Upon an Amorous Old Couple | p. 19 |
| Wedding Anniversary | p. 19 |
| The Epigrammatist | p. 20 |
| The Ubi Sunt Lament of the Beldame Hen | p. 20 |
| Humility | p. 23 |
| Forever Mountain | p. 24 |
| My Grandmother Washes Her Vessels | p. 25 |
| Hallowind | p. 28 |
| After Catullus I | p. 37 |
| A Bird's-Eye View of Einstein | p. 37 |
| Ithaca | p. 47 |
| History | p. 47 |
| Lines Written on the Eve of a Birthday | p. 48 |
| Memory | p. 48 |
| A Song | p. 49 |
| Blue Air | p. 50 |
| Reading, Dreaming, Hiding | p. 50 |
| Late Afternoon at the Arboretum | p. 51 |
| And There Is Freedom of a Kind Even in Mere Magnitude | p. 52 |
| Grammaire Generale: A Review | p. 52 |
| The Pines Without Peer | p. 54 |
| I Will Cut Out My Heart | p. 55 |
| Lady Macbeth on the Psych Ward | p. 55 |
| Adult Ed. 101: Basic Home Repair for Single Women | p. 56 |
| She Remembers the Tears | p. 58 |
| A Scientific Expedition in Siberia, 1913 | p. 58 |
| The Rose | p. 62 |
| After Catullus 85 | p. 63 |
| Love | p. 63 |
| Work | p. 64 |
| Golgotha | p. 65 |
| And Then | p. 66 |
| Why Were the Bandit's Eyes Hidden behind a Green Mask? | p. 69 |
| On Mynydd Hiraethog: Afternoon | p. 69 |
| Meditation for a Pickle Suite | p. 70 |
| Construction | p. 71 |
| March Again | p. 72 |
| Gettysburg | p. 73 |
| Talking to Trees | p. 75 |
| What to Do (When You Want to Say So Much and You Do Not Know How) | p. 76 |
| The Greeting | p. 82 |
| 21. Montage: His Prayer (from January: A Screenplay) | p. 83 |
| Tips for a Traveller | p. 84 |
| A Dream of Uncles | p. 85 |
| Autumn Letter to London | p. 87 |
| Winter Letter to Bluefield | p. 91 |
| Spring Letter to Paradise | p. 96 |
| Listening to the Edges | p. 99 |
| Pondycherry | p. 103 |
| Skylights | p. 104 |
| For a Daughter Gone Away | p. 105 |
| Some Entertainments Sent with a Gift Snuffbox Carved from an Alligator's Tooth, 1703 | p. 106 |
| My Frost Dream | p. 108 |
| The Portuguese Uncle | p. 109 |
| Captain Teabag and the Wellfleet Witches | p. 110 |
| At Ellen Doyle's Brook | p. 114 |
| Pelican | p. 115 |
| Corncrake | p. 116 |
| Saint Brendan's Psalm (from Saints in Their Ox-Hide Boat) | p. 117 |
| Nimblejacks | p. 119 |
| Getting Through | p. 120 |
| Snakebit, 1752 | p. 121 |
| Under My Stornoway Hat | p. 124 |
| The Maiden Uncles | p. 125 |
| An American Naturalist Writes to a Londoner, 1758 | p. 127 |
| Walter Anderson Sleeping on the Levee | p. 129 |
| Letter Accompanying the Specimen of an Amazing Bird, 1763 | p. 130 |
| A Cold Bell Ringing in the East | p. 133 |
| Luck's Shining Child | p. 137 |
| Abraham's Knife | p. 138 |
| Revival | p. 139 |
| Solitaire | p. 140 |
| For a Bitter Season | p. 141 |
| Italian Lesson (from "Some Snapshots") | p. 142 |
| Crows at Paestum | p. 142 |
| Egyptian Gold | p. 143 |
| Buzzard | p. 146 |
| For Tiresias (from "Eight Lyrics") | p. 146 |
| Or Death and December | p. 147 |
| Romantic | p. 148 |
| Fat Man | p. 148 |
| Envoy | p. 149 |
| An Epigram by Martial (from "Three More Short Ones") | p. 150 |
| Manifesto | p. 151 |
| Wonderful Pen: A Snapshot | p. 153 |
| Little Movie without a Middle | p. 154 |
| To a Certain Critic (from "Flashcards") | p. 155 |
| Two Elegies | p. 155 |
| March 1994 | p. 158 |
| Figure of Speech | p. 159 |
| A Latin Epigram by Thomas More | p. 160 |
| Some Enormous Surprises | p. 160 |
| Anthologies I (Then and There) | p. 161 |
| Anthologies II (Here and Now) | p. 163 |
| Ride the High Country | p. 167 |
| Epitaph for Goliath | p. 168 |
| Elegy for Walter Stone | p. 168 |
| Sestina for the Last Week of March | p. 172 |
| Le Babouinisme | p. 173 |
| Night Creatures | p. 174 |
| Nursery Rime | p. 174 |
| The Death of Mozart | p. 175 |
| Homage to Luigi Boccherini | p. 176 |
| The Calf and the Ox | p. 177 |
| Numbers 52, 83, and 142 (from Dozens) | p. 178 |
| The Elm | p. 179 |
| Titanic | p. 180 |
| Bloody Murder | p. 181 |
| Plodders | p. 182 |
| Forio | p. 183 |
| History of My Ear | p. 184 |
| Crossroads | p. 187 |
| The Gig | p. 189 |
| Assume a God (from A Gift: The Life of da Ponte) | p. 191 |
| Psalm 34 | p. 192 |
| Worry Beads (from "Desk Set") | p. 193 |
| The Second Murderer | p. 194 |
| The Horse Show at Midnight | p. 199 |
| Breakings | p. 202 |
| An Afternoon of Pocket Billiards | p. 202 |
| Buildings and Grounds | p. 206 |
| De Gustibus Ain't What Dey Used to Be | p. 208 |
| To Hear My Head Roar | p. 209 |
| Riding a One-Eyed Horse | p. 211 |
| Landscape with Tractor | p. 212 |
| Taking to the Woods | p. 214 |
| Airing Linen | p. 217 |
| Barbed Wire | p. 217 |
| The Flying Change | p. 218 |
| Hawk | p. 219 |
| At the Swings | p. 219 |
| A Grace | p. 221 |
| Flying over Peoria | p. 222 |
| Understanding Fiction | p. 223 |
| A Voltage Spike | p. 225 |
| After a Movie | p. 226 |
| Night Search for Lost Dog | p. 227 |
| Afternoons with a Boomerang | p. 228 |
| Acknowledgments | p. 231 |
| Table of Contents provided by Blackwell. All Rights Reserved. |






