Nobody Gets Out Alive Stories

by Newman, Leigh

• ISBN13: 9781982180300
• ISBN10: 1982180307
• eBook ISBN(s): 9781982180324
• Format: Hardcover
• Copyright: 2022-04-12
• Publisher: Scribner
• More Book Details
• Purchase Benefits

Summary

LONGLISTED FOR THE NATIONAL BOOK AWARD AND THE STORY PRIZE

Named a BEST BOOK OF 2022 by Oprah Daily, Vogue, Kirkus Reviews, Library Journal, and Electric Lit

From a prizewinning author comes an “electric...stunning” (Publishers Weekly, starred review) debut story collection about women navigating the wilds of male-dominated Alaskan society.

Set in Newman’s home state of Alaska, Nobody Gets Out Alive is an exhilarating collection about women struggling to survive not just grizzly bears and charging moose, but the raw legacy of their marriages and families.

Alongside stories set in today’s Last Frontier—rife with suburban sprawl, global warming, and opioid addiction—Newman delves into remote wilderness of the 1970s and 80s, bringing to life young girls and single moms in search of a wilder, freer, more adventurous America. The final story takes place in a railroad camp in 1915, where an outspoken heiress stages an elaborate theatrical production in order to seduce the wife of her husband’s employer.

“Rich with wit and wisdom, showing us that love, marriage, and family are always a bigger and more perilous adventures than backcountry trips” (Kirkus Reviews, starred review), these keenly observed stories prove there are some questions—about love, heartbreak, and the meaning of home—that can’t be outrun, no matter how hard we try. Nobody Gets Out Alive is a dazzling foil to the adventure narratives of old.

Author Biography

Leigh Newman is the author of Still Points North, a memoir about growing up in Alaska which was a finalist for the National Book Critic Circle’s John Leonard Prize. Her stories have appeared in Harper’s, The Paris Review, Tin House, McSweeny’s Quarterly Concern, One Story, and Electric Literature. In 2020, she was awarded The Paris Review’s Terry Southern Prize, a Best American Short Story, a Pushcart Prize, and an American Society of Magazine Editors’ Fiction Prize for her work in the Paris Review. Previously, she cofounded the indie press Black Balloon/Catapult where she still works as editor-at-large. Her essays, book reviews and general musings have appeared in The New York Times; Bookforum; Vogue; Real Simple; O, the Oprah Magazine; and other publications.