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Preface and Acknowledgements | p. vii |
Major Sea and Land Trade Routes | p. x |
The Burgundian Netherlands | p. xi |
Introduction | p. 1 |
Problems and Perspectives | |
Dispersal and Destruction | p. 11 |
Italian Perspectives | p. 27 |
Sources and Documents | p. 39 |
Physical Evidence and Technical Examination | p. 55 |
Markets for Art: Centres, Products, and Patrons | |
Centres | p. 71 |
Products | p. 87 |
Patrons: Importing Art and Artists | p. 101 |
Marketing Art: Artists and the Contexts of Creation | |
The de Limbourgs in the Service of Jean de Berry | p. 115 |
Hans Memling Painting Panels in Bruges | p. 121 |
Printmakers in the Rhine Valley Inventing, Marketing, and Distributing Images | p. 129 |
Declaring Authorship and Expertise: Signatures and Self-Portraits | p. 143 |
Making Images: Equipment, Materials, Methods | |
Workspace and Equipment | p. 157 |
The Workforce | p. 179 |
Materials, Methods, and Technical Virtuosity | p. 197 |
Using and Viewing | |
Moving Images | p. 229 |
Settings, Vistas, and Accoutrements for Mass and Prayer | p. 255 |
Meditation and Imagination | p. 271 |
Notes | p. 289 |
List of Illustrations | p. 315 |
Bibliographic Essay | p. 325 |
Index | p. 335 |
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