| Chronological Table of Contents | p. xi |
| Preface | p. xvii |
| Preface to the Sixth Edition | p. xix |
| Talking about Fiction | p. xxiii |
| Character and Setting | p. xxiii |
| Action, Plot, and Complication | p. xxiv |
| Point of View | p. xxvi |
| Indirection | p. xxviii |
| The Part and the Whole | p. xxx |
| Coherence | p. xxxi |
| General Questions | p. xxxiv |
| I Want to Know Why | p. 1 |
| Death by Landscape | p. 8 |
| Sonny's Blues | p. 21 |
| Gorilla, My Love | p. 45 |
| The Littoral Zone | p. 50 |
| Me and Miss Mandible | p. 58 |
| The Disappeared | p. 67 |
| Snow | p. 86 |
| Witness | p. 88 |
| Who Is It Can Tell Me Who I Am? | p. 101 |
| An Occurrence at Owl Creek Bridge | p. 113 |
| Silver Water | p. 121 |
| Pierre Menard, Author of the Quixote | p. 128 |
| The Veldt | p. 136 |
| Pagan Night | p. 147 |
| The Gentleman from San Francisco | p. 156 |
| Gina Berriault on "the Gentleman from San Francisco" | p. 172 |
| Bread | p. 173 |
| Cathedral | p. 186 |
| The Rationing of Love | p. 197 |
| Paul's Case | p. 211 |
| Andrea Barrett on "Paul's Case" | p. 226 |
| The Enormous Radio | p. 228 |
| The Lady with the Dog | p. 237 |
| Gusev | p. 249 |
| Richard Bausch on "Gusev" | p. 259 |
| The Story of an Hour | p. 261 |
| The Notorious Jumping Frog of Calaveras County | p. 264 |
| Heart of Darkness | p. 269 |
| Barry Hannah on "Heart of Darkness" | p. 331 |
| The Babysitter | p. 334 |
| A Continuity of Parks | p. 354 |
| The Open Boat | p. 356 |
| Allan Gurganus on "the Open Boat" | p. 374 |
| The Blue Hotel | p. 376 |
| Open Winter | p. 397 |
| Sorrow-Acre | p. 414 |
| Tobias Wolf on "Sorrowacre" | p. 436 |
| Public Appearances | p. 438 |
| The Intruder | p. 449 |
| We Didn't | p. 459 |
| King of the Bingo Game | p. 468 |
| Matchimanito | p. 476 |
| Barn Burning | p. 490 |
| The Bear | p. 503 |
| Dreams | p. 582 |
| Babylon Revisited | p. 597 |
| Great Falls | p. 613 |
| The Road from Colonus | p. 625 |
| A New England Nun | p. 634 |
| Bernadette | p. 643 |
| The Handsomest Drowned Man in the World | p. 661 |
| Wounded Soldier | p. 666 |
| Madison Smartt Bell on "Wounded Soldier" | p. 672 |
| The Yellow Wallpaper | p. 675 |
| A Soldier's Embrace | p. 688 |
| Ghost and Flesh, Water and Dirt | p. 699 |
| George Garrett on "Ghost and Flesh, Water and Dirt" | p. 705 |
| Nativity, Caucasian | p. 707 |
| Testimony of Pilot | p. 714 |
| Wedding Night | p. 733 |
| Young Goodman Brown | p. 735 |
| The Birthmark | p. 745 |
| Hills Like White Elephants | p. 757 |
| Frederick Busch on "Hills Like White Elephants" | p. 761 |
| In the Cemetery Where Al Jolson Is Buried | p. 763 |
| The Conscience of the Court | p. 770 |
| The Lottery | p. 781 |
| Greville Fane | p. 788 |
| Passion | p. 801 |
| Moving Pictures | p. 814 |
| A New Man | p. 818 |
| The Pugilist at Rest | p. 827 |
| Araby | p. 841 |
| A Little Cloud | p. 845 |
| The Dead | p. 855 |
| The Metamorphosis | p. 885 |
| A Hunger Artist | p. 918 |
| Girl | p. 925 |
| The Man Who Would Be King | p. 927 |
| Jewel of the Moon | p. 952 |
| My Life as a Mollusk | p. 962 |
| The Horse Dealer's Daughter | p. 976 |
| The Coggios | p. 989 |
| Gravity | p. 992 |
| The Ones Who Walk Away from Omelas | p. 996 |
| To Room Nineteen | p. 1001 |
| Brief Lives in California | p. 1025 |
| My Father's Chinese Wives | p. 1034 |
| The Chevigny Man | p. 1044 |
| Angel Levine | p. 1056 |
| Death in Venice | p. 1065 |
| Bliss | p. 1113 |
| Shiloh | p. 1123 |
| Boule de Suif | p. 1134 |
| The Thistles in Sweden | p. 1162 |
| Charles Baxter on "the Thistles in Sweden" | p. 1177 |
| Bartleby, the Scrivener | p. 1178 |
| The Management of Grief | p. 1206 |
| Richard Ford on "the Management of Grief" | p. 1218 |
| Royal Beatings | p. 1220 |
| Prue | p. 1236 |
| Signs and Symbols | p. 1240 |
| The Several Blessings of Wang Ta-nien | p. 1245 |
| How I Contemplated the World from the Detroit House of Correction and Began My Life Over Again | p. 1251 |
| The Things They Carried | p. 1263 |
| A Good Man Is Hard to Find | p. 1277 |
| Lee Smith on "a Good Man is Hard to Find" | p. 1289 |
| Everything That Rises Must Converge | p. 1290 |
| Guests of the Nation | p. 1301 |
| Edward P. Jones on "Guests of the Nation" | p. 1310 |
| Tell Me a Riddle | p. 1312 |
| War | p. 1340 |
| The Fall of the House of Usher | p. 1344 |
| The Purloined Letter | p. 1358 |
| Flowering Judas | p. 1372 |
| The Fall | p. 1382 |
| The Conversion of the Jews | p. 1391 |
| Nadine at 35: A Synopsis | p. 1403 |
| The Eighty-Yard Run | p. 1405 |
| Gimpel the Fool | p. 1416 |
| Intensive Care | p. 1427 |
| In the Zoo | p. 1446 |
| R. V. Cassill on "in the Zoo" | p. 1461 |
| The Chrysanthemums | p. 1462 |
| Rules of the Game | p. 1471 |
| A Spinster's Tale | p. 1480 |
| Ann Beattie on "a Spinster's Tale" | p. 1496 |
| The Secret Life of Walter Mitty | p. 1498 |
| The Death of Ivan Ilych | p. 1503 |
| A and P | p. 1544 |
| The Moths | p. 1550 |
| Everyday Use | p. 1555 |
| Blackberry Winter | p. 1562 |
| Why I Live at the P.O. | p. 1578 |
| A Worn Path | p. 1587 |
| Susan Dodd on "a Worn Path" | p. 1593 |
| The Man Who Loved Levittown | p. 1595 |
| The Use of Force | p. 1607 |
| In the Garden of the North American Martyrs | p. 1611 |
| Kew Gardens | p. 1620 |
| The Man Who Was Almost a Man | p. 1626 |
| Writing Papers about Fiction | p. 1637 |
| When You Write about Fiction | p. 1644 |
| Writing Fiction | p. 1653 |
| Writers on Writing | p. 1665 |
| Why Do You Write? | p. 1666 |
| What Is It I Think I'm Doing Anyhow? | p. 1666 |
| On Writing | p. 1667 |
| What Happened | p. 1671 |
| Selected Letters | p. 1673 |
| A Familiar Preface | p. 1675 |
| An Interview | p. 1678 |
| Becoming a Writer | p. 1680 |
| The Art of Fiction | p. 1696 |
| Why the Novel Matters | p. 1699 |
| The Novel | p. 1702 |
| A Four-Hundred-Year-Old Woman | p. 1704 |
| What Is Real? | p. 1706 |
| The Nature and Aim of Fiction | p. 1709 |
| Review of Hawthorne's Twice Told Tales | p. 1710 |
| What Is Art? | p. 1717 |
| Glossary of Critical Terms | p. 1722 |
| Permissions Acknowledgments | p. 1731 |
| Index of Titles | p. 1737 |
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