Opera Coaching

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  • Edition: 1st
  • Format: Nonspecific Binding
  • Copyright: 2006-03-21
  • Publisher: Routledge
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Opera Coachingis the first practical guide for pianists, singers, and opera producers to this important--and often neglected--career. The opera coach is a teacher who helps singers not only meet the physical and vocal demands of a score, but--like the dramatic coach--shapes their entire performance. The opera coach must have a wide knowledge, from a full understanding of human physiognomy and the human voice, to the many languages used in Western vocal music, to the entire expanse of the opera repertoire, from its roots in 17th century sung drama through today's most modern compositions.Opera Coachingcovers all of these topics and more, making it the ideal resource for anyone interested in this fascinating career.

Table of Contents

Prefacep. vii
Acknowledgments and Dedicationp. xi
Knowing the Scorep. 3
Recitatives: Practical Methods for Teaching Themp. 21
Decorump. 31
Planning Coaching Sessions, Playing Staging Rehearsals, and Following a Conductorp. 33
The Stage Director's Perspectivep. 41
The Art of Auditioningp. 55
Dealing with the Diva/Divop. 71
Comparing Composer Stylesp. 77
Baroque Operas and Mozartp. 81
The Issue of Straight Tonesp. 97
The Bel Canto Movementp. 101
"Park and Bark"p. 111
Verdip. 113
The Vanishing of Large Voicesp. 123
French Operap. 127
Mussorgsky and the Russiansp. 135
Richard Wagner and Richard Straussp. 139
Puccini and the Verismo Schoolp. 153
Operettasp. 157
Benjamin Britten and Other Modern Composersp. 161
Opera in Translationp. 169
Conclusionsp. 173
A List of Vocal Fachs and Their Rolesp. 175
Notable and Recommended Editionsp. 183
Favorite Catch Phrasesp. 191
Notesp. 195
Annotated Bibliographyp. 199
Indexp. 203
Table of Contents provided by Ingram. All Rights Reserved.

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