| The Opposite of Clairvoyance | p. 13 |
| Listen-- | p. 15 |
| In a Rapidly Expanding City | p. 16 |
| February | p. 18 |
| Phone Call at the Dissolution of a Marriage | p. 19 |
| Eight Qualifications to the Idea of Individuality | p. 20 |
| After bringing out some coffee | p. 22 |
| Faith, Perhaps | p. 23 |
| Meadowlark | p. 24 |
| The Strip Joint Is Open All Week | p. 25 |
| Aviary | p. 26 |
| Reflection | p. 27 |
| February's Birds | p. 29 |
| January's Poem | p. 30 |
| Idaho Highway | p. 31 |
| I Start Again with the Smallest Details | p. 35 |
| Point of Departure | p. 37 |
| Phone Call with Little Purpose | p. 39 |
| Dreaming of You | p. 40 |
| A Poem in Which I Contradict Myself | p. 41 |
| On Hearing the Missing Writer's Been Found | p. 42 |
| Scene at the Kabul Zoo | p. 43 |
| Mud Slide. Acapulco,1997 | p. 44 |
| [Exit, Pursued by a Bear] | p. 45 |
| Funderwoods | p. 49 |
| The Sign Reads... | p. 50 |
| Scene on Highway 99 | p. 52 |
| Postcard from Jane | p. 53 |
| Coffee Break | p. 54 |
| Scheveningen | p. 56 |
| The Soul, Feeling Expansive, Masquerades as a Butterfly | p. 57 |
| Song | p. 58 |
| Growing Season | p. 59 |
| Bugle Air | p. 60 |
| Observance | p. 61 |
| Fine China, San Juan Bautista | p. 62 |
| Sixteen Flowers | p. 64 |
| Another Apocalyptic Sign | p. 59 |
| Still Life with Phone and Prayer | p. 70 |
| Poem for the Insects | p. 71 |
| There's nothing beautiful about Los Angeles | p. 72 |
| Sidelines | p. 73 |
| Scene with Hawk and Squirrels | p. 74 |
| Smoots & Dooley Architectural Salvage | p. 76 |
| After she says she's never been in love, she says | p. 77 |
| This Morning the World Is Populated | |
| Primarily by Birds | p. 78 |
| City of Richmond | p. 80 |
| The Lord God Bird | p. 81 |
| Park Scene | p. 83 |
| Persimmon Tree | p. 84 |
| Magda Tells a Story | p. 85 |
| Perspective | p. 86 |
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