9780385334167

Paradise Park

by
  • ISBN13:

    9780385334167

  • ISBN10:

    0385334168

  • Format: Hardcover
  • Copyright: 2001-03-01
  • Publisher: The Dial Press

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Summary

Brilliant, fresh, funny, and wise, Allegra Goodman has delighted readers with her short stories inThe New Yorkerand her critically acclaimed collectionsTotal ImmersionandThe Family Markowitz. Her celebrated first novel,Kaaterskill Falls, was a national bestseller and a National Book Award finalist. The novel, wrote Michiko Kakutani inThe New York Times, "ratifies the achievement of the author's short stories, even as it announces the debut of a gifted novelist." Now, inParadise Park, Goodman introduces one of the most endearing, exasperating, and indomitable heroines in modern literature: Sharon Spiegelman. Abandoned by her folk-dancing partner, Gary, in a Honolulu hotel room, Sharon realizes she could return to Bostonand her estranged familyor listen to that little voice inside herself. The voice that asks: "How come Gary got to pursue his causes, while all I got to pursue was him?" Thus, with an open heart, a soul on fire, and her meager possessions (a guitar, two Indian gauze skirts, a macrame bikini, and her grandfather's silver watch) Sharon begins her own spiritual quest: living with the red-footed boobies, embracing the Edenic rain forests of Molokai, seeking enlightenment (with and without men) at the Greater Love Salvation Church, the Consciousness Meditation Center, a couples workshop in Waikiki, the Torah-Or Institute in Jerusalem, and in Professor Friedell's University of Hawaii course on world religions. Ever the optimist, Sharon is sure each time that she has struck it rich "spiritually speaking" until she comes up empty. Then, in a karmic convergence of events, Sharon starts on the path home to Judaism. Still, even as she embraces her tradition, Sharon's irrepressible self tugs at her sleeve. Especially when she meets Mikhail, falls truly in love at last, and discovers what even she could not imagineher destiny.

Author Biography

Allegra Goodman's work has appeared in <i>The New Yorker</i>, <i>Allure</i>, <i>Commentary</i>, and <i>Slate</i>. She is the recipient of a Whiting Award and the <i>Salon</i> magazine award for fiction. She lives with her family in Cambridge, Massachusetts, where she is at work on her next book.

Excerpts

Honeycreepers

All this light was pouring in on me, and I started to open my eyes. I didn't know where in the world I was, and I reached over, but no one was there. The room was empty, and I didn't even know where the room was — it was all just floating in empty space, and I couldn't say what planet or star I'd landed on. All that was running through me in that one second was the loneliness of being this tiny insignificant particle in the universe, and how a life weighs nothing in all that light. And what is that light compared to God? Then I woke up and it came back to me. That the guy, supposedly my boyfriend, who came out with me to this joint, a fleabag in Waikiki, was now gone, run off with a chick on her way to Fiji, and he — actually they — had left me with the hotel bill, which since I had no idea how to pay I was avoiding by just staying in the hotel and not checking out. But you know, the vision I had before, when I was just half awake, that was the important part. That was like the angels talking, when they speak to you and teach you right before you're born, and then they put their fingers on your lips — Sh! don't tell! You almost forget, but somewhere inside, you remember. At the time, that morning, I just lay there and had no idea what to do, not to mention I had never as far as I knew even believed in the existence of God. But in my subconscious, and my unconscious, and everywhere else, I had all these questions and ideas about this higher power and this divine spirit, and maybe I would have been dealing with them if I hadn't been so broke.

Finally I got up. I sat on the edge of the queen-size hotel bed. The bedspread was halfway off, sliding onto the floor, and the spread was green, printed yellow and orange with bird-of-paradise flowers so enormous they looked like some kind of dinosaur parts. The headboard was white rattan. So was the dresser and the mirror frame and the desk. There was no chair. Everything that could be nailed down was.



There I was all by myself, yet it wasn't exactly like I'd had some kind of one-night stand! We were folk dancers. That's how my boyfriend and I had met a couple of years before. Gary and I were two of the original dancers that danced in Cambridge at MIT. Balkan on Tuesdays. Israeli on Wednesdays. This was in the seventies when the folk scene in Boston was just starting, and there was a group of us — it was our life. We'd gather together at night — guys in cutoff shorts and girls in Indian gauze skirts, tank tops. In winter we'd strip down out of our parkas and ski hats and wool socks, and unzip until we were barefoot. I had long straight hair, light brown, and I wore it loose down to my waist, and I lived to dance in Walker Gym with my hair flying around me and my shirt against my bare skin, and the smooth gym varnish on the floor like syrup to my toes.

The music came from a tape recorder mounted on a little wooden cart painted gypsy colors, yellow and red, and stenciled in fancy green: MIT FOLK DANCE CLUB. The names of the dances were scribbled in chalk on a green chalkboard wheeled in from one of the classrooms. Then, from seven to eleven at night, we circled and wheeled and flew. We would dance like this for Balkan: twenty at a time together with our arms linked in a line, and our legs kicking and feet moving to rhythms like 7/8 or 11/16. Like this for Israeli: in concentric circles, feet flying, every other person off the ground.

Gary and I were such a pair that everybody watched us. When we left the gym it was like after a performance, all those admiring eyes. We'd walk outside in winter, and shuffle through the snow with the heat still on us, carrying our coats for blocks before we started to get cold. Just wandering in the slush and barely noticing that gradual little bit of freezing cold water that starts wicking in through the seams of your boots. We'd get home to Allston and run up the stairs to Gary's apartment — a real find on top of a doddering Victorian house. We had a kitchenette wired up in half a hall, and a dormer bedroom, where we curled up in blankets. I used to sit for hours in bed playing my guitar, the radiator like drums behind me, bang banging away.

Originally he was the one with the traveling bug. Gary was one of those Vietnam-era graduate students, thirty-five at that time, which was '74. He was still working on a government public health grant at Harvard, and he used to cart around boxes of those manila computer punch cards. Every once in a while the profs would fire up the old computer, and they'd input their data with a clicking and a clacking till the oracle spoke, spewing out numbers on that wide paper with pale-green and white stripes. Then Gary and the other grad students would all go back to their shared offices adorned with shag carpet remnants and cork bulletin boards, and they'd ponder the numbers. Gary had been doing this for years; and since it was a longitudinal study, which meant it didn't ever end, he was getting kind of restless. But I, on the other hand, was really busy, since I was just twenty — in the middle of stopping out of college and getting seriously into dancing and my music — folk stuff on my guitar. I listened to Joni Mitchell and Carole King and Jackson Browne. And of course I was writing my own stuff, too, all in their same styles. I was biking over the BU Bridge to Central Square, where I was working for this antiwar, antinuclear couple, Vivica and Dan, who I'd met from dancing, and who had originally come from Berkeley. We were holed up, the three of us, in a little one-room office trying to put a stop to military spending. To me bringing peace about was pretty good. But Gary, being fifteen years older, had bigger ambitions for the planet. He started talking about how he wanted to go west.

The thing was I loved him. Not that he had a face to sink a thousand ships. He had fair skin, blinky brown eyes, shoulder-length hair, a Fu Manchu moustache. But he had beautiful feet, elastic arches. He had the longest arms of anyone I knew. And when he jumped! He could have been a pro. He could have traveled the world leaping in the air. That's the way I pictured it, him leaping and me spinning at his side. I still hadn't gotten over it, being so much younger than he was, and him choosing me to be his partner — because my dancing was so good. And getting to live with him, which meant getting out of my dad's house and my stepmother's hair. And just realizing that Gary thought I was beautiful! It wasn't like I was plain. I wasn't plain at all. I was slender and had big black eyes, sleepy with eyeliner, and that shimmery loose hair, so when I danced I looked like a ballerina down at the hem. But I was young — not even one-and-twenty like the guy in the poem — and I couldn't believe Gary with his long arms and his gorgeous feet and hard muscles in his calves actually thought that I was beautiful.


Excerpted from Paradise Park by Allegra Goodman
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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