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9780735714212

The PhotoshopWorld Dream Team Book, Volume 1

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  • ISBN13:

    9780735714212

  • ISBN10:

    0735714215

  • Edition: 1st
  • Format: Paperback
  • Copyright: 2005-01-01
  • Publisher: New Riders Press
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List Price: $29.99

Summary

PhotoshopWorld. It's where each year the most gifted, brilliant, and creative Photoshop gurus in the world gather to share their latest techniques, the newest tips, and their slickest Photoshop tricks with members of the National Association of Photoshop Professionals (NAPP). These eager Photoshop users come from as far away as Singapore, Australia, Europe, Japan, Africa, China, and dozens of other countries around the world just to learn from this "dream team" of photographers, designers, educators, videographers, and creative geniuses. Now, they've come together again, here in the first book of it's kind that brings this PhotoshopWorld Instructor Dream Team together--but this time they're teaching you. Within its pages, you'll learn their secrets--their latest tips, tricks, tutorials and techniques using Adobe Photoshop CS. This is a truly unique opportunity to learn one-one-one from the same famous names you see up on the big PhotoshopWorld stage. You'll learn from world-reknown gurus like Photoshop User Editor Scott Kelby, Author of Photoshop Studio Techniques Ben Willmore, Award-winning digital photographer Jim DiVitale, Pioneering Photoshop illustrator and artist Bert Monroy, Photoshop Hall of Famer Jack Davis, Fashion Photography Guru Kevin Ames, Photoshop User Creative Director Felix Nelson, Adobe's own Julieanne Kost, Adobe Photoshop Seminar Tour Leader Dave Cross, and many more. Plus you'll get a behind-the-scenes look at what it's like being at PhotoshopWorld, (the after hour events, panels, parties, art competitions, the expo floor--the works) and what it's like learning from the best and brightest minds in the digital imaging industry today. This is your chance to learn from the "Dream Team" yourself and become a part of very special legacy, and learn techniques that can only be shared here, in this unique book featuring today's Photoshop masters, and tomorrow's Photoshop legends.

Table of Contents

Dream Team Acknowledgements xiv
Foreword xvii
About Napp xviii
About Photoshopworld xix
Photoshopworld Live xx
Photoshopworld Posters xxiii
Keynote xxv
Photoshop Midnight Madness xxvii
Photoshop Hall of Fame xxviii
Photoshop Wars xxxi
The Tech Expo xxxiii
Guru Awards xxxv
Ghosts and Memories
1(14)
Kevin Ames
Real-Time Visualization
1(2)
Ghosts and Memories
3(6)
Day and Night, Night and Day
9(6)
Working with Spot-Color Channels
15(12)
Geno Andrews
Spot Color Adventures
15(2)
The Simple Two-Color Job: A Black-and-White Photo with Pantone (Reflex Blue) Type
17(5)
White Flash with Three Spot Colors: Richer Black-and-White Images in Silkscreening
22(5)
Help Desk Live! Photoshopworld's Top Questions
27(12)
Peter Bauer
The Breadth and Depth of Photoshop
27(2)
Top Help Desk Questions
29(10)
Photoshop Is Behaving Badly: How can I get back to work?
29(4)
How do I reduce digital noise?
33(1)
Can I preview fonts in Photoshop?
34(1)
What scan resolution should I use?
35(4)
Pushing Pixels: Using Photoshop to Create a Product Makeover
39(12)
Daniel Brown
Retouching and Beyond with Photoshop
39(1)
Pushing Pixels
40(11)
Lesson 1
40(1)
Lesson 2
41(1)
The Resolution Audio Project
42(9)
Panoramas Gone Bad!
51(14)
Russell Preston Brown
Go Where No Photoshop User Has Gone Before!
51(1)
When Panoramas Go Bad: A True Story
52(13)
The Strange Case of the Mismatched Skies
52(2)
Incredible Secrets of the Photomerge
54(4)
Trouble in the Tulip Garden: Using the Healing Brush, Patch Tool, and Perspective Crop for Final Touch-ups
58(4)
Putting It All in Perspective: The Final Crop
62(3)
Stop Working So Hard Making Selections!
65(14)
Dave Cross
There You Have It
65(1)
Selections: There is an Easier Way
66(13)
The Overall Approach
66(13)
Creative Focus with the Lens Blur Filter
79(14)
Jack Davis
Ramblings of an Elated Mind
79(2)
Creating a Depth Mask for the Lens Blur Filter
81(6)
Exploring the Lens Blur Dialog
87(6)
Iris Settings
88(1)
Specular Highlights
89(1)
Noise
89(1)
Quest for Blur
90(3)
Collaborating on Digital Image Creation
93(12)
Jim DiVitale
The Digital Advantage for Photographers & Designers
93(2)
Digital Photography: Control Over the Creative Process
95(10)
Explorations in Organic Symmetry
105(14)
Daniel Giordan
Is It Ever ``Done''?
105(2)
Explorations in Organic Symmetry
107(12)
Using Photoshop for Video Work
119(12)
Rod Harlan
An Interview with Rod Harlan
119(2)
Broadcasting Photoshop
121(10)
Back in the Day...
122(1)
The Conversion Process
123(1)
Preparing Graphics for Television Using Photoshop 7 and Earlier
123(1)
Preparing Graphics for Television Using Photoshop CS
124(2)
Video Safe Areas
126(1)
Using Photoshop's De-Interlace Filter to Repair Video Images
126(5)
Making DVD Menus
131(16)
Richard Harrington
How to Get Ahead in Video or Fry Trying
131(2)
Creating a DVD Menu
133(14)
Why Does It Have to Be So Hard?
133(1)
Get Your Stuff Together
134(1)
Prepare Movie Assets
134(1)
Using Still Frames from Video in Your Menu Design
135(1)
Using Photos in Your Menu Design
136(1)
Making Backgrounds from Stills
137(1)
Make Your Own Title Safe Guides
138(1)
The Split in the Road
139(1)
Keep It Moving
139(1)
In After Effects: Let There Be Motion
140(4)
The End?
144(3)
Faking Studio Shots with Photoshop
147(12)
Scott Kelby
Opening Thoughts
147(1)
Creating Your Own Studio Shots
148(11)
Dramatic Studio Backgrounds
148(6)
Studio Shot #2
154(5)
Building an Addition to Your Photoshop
159(12)
Julieanne Kost
The Creative Challenge
159(1)
The Basic Premise: Bits and Bytes Aren't the Final Project
160(11)
The Project
161(10)
Photorealism Techniques
171(14)
Bert Monroy
Painting with Photoshop
171(2)
Creating a Sign with Metal Letters and Neon Tubes
173(12)
In the End
183(2)
Photoshop Power for Digital Portrait Photographers
185(12)
Todd Morrison
A Decade in the Life of a Pixel-Crazed Baby Photographer
185(2)
Bringing Back the Look of Film
187(6)
Part 1---Don't Be Afraid of the Curves
187(2)
Part 2---Adjustment Layer Vignette
189(2)
Danger: Sharp Objects Ahead (Digital Soft Focus)
191(2)
Hip to Be Square: Square Crop from a Vertical Image Trick
193(4)
Color Management Incantation
197(12)
Chris Murphy
How About a Car or Mini-Van?
197(1)
Color Management Incantation
198(11)
Proof Colors
198(3)
Printing
201(3)
Prepare for the Web
204(5)
Photo Realistic Illustration Techniques
209(20)
Felix Nelson
Is It Real, or Is It Photoshop?
209(1)
Photorealism in Photoshop
210(19)
Using Highlights to Add Depth and Reveal Shapes
210(7)
Nothing Is Perfect
217(2)
Double Your Pleasure
219(10)
Photoshop and Acrobat Workflow: Capturing, Correcting, Protecting, and Distributing Your Images
229(16)
Taz Tally
My Passion Outside of the Digital Realm
229(2)
The Meat
231(14)
Set a Specific Goal
231(1)
Production Chores
232(1)
The Steps
232(13)
Removing Glass Glare
245(16)
Eddie Tapp
Become One with the Gray Obis of Digital
245(2)
Glass Glare Project
247(11)
Save, Save, and Save Again!
258(1)
Moral of the Story
259(2)
A Cinematic Approach to Digital Still Photography
261(16)
Vincent Versace
Why to Photoshop
261(1)
Anatomy of a Photograph: Stardust
262(15)
Using Adobe Photoshop to Do Classic Studio Lighting
262(1)
Why To
262(1)
How To
263(14)
The Photoshop Creative Cookbook: Filters and Blending Modes
277(19)
Ben Willmore
Bad Television and Photoshop---the Perfect Combination
277(2)
Photoshop Filters for all Ages
279(10)
How to Think About Blending Modes
279(3)
Filters
282(1)
Creating Textures
283(4)
The Filter Gallery
287(1)
An Example
288(1)
Bad Television and Photoshop---the Perfect Combination
289(7)
Index 296

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