The Post-Apocalyptic Novel in the Twenty-First Century Modernity beyond Salvage

  • ISBN13:


  • ISBN10:


  • Format: Hardcover
  • Copyright: 2016-02-10
  • Publisher: Palgrave Macmillan

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

Purchase Benefits

  • Free Shipping On Orders Over $35!
    Your order must be $35 or more to qualify for free economy shipping. Bulk sales, PO's, Marketplace items, eBooks and apparel do not qualify for this offer.
  • Get Rewarded for Ordering Your Textbooks! Enroll Now
List Price: $95.00 Save up to $9.50
  • Rent Book $85.50
    Add to Cart Free Shipping


Supplemental Materials

What is included with this book?

  • The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
  • The Rental copy of this book is not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.


Since the beginning of the twenty-first century, major Anglophone authors have flocked to a literary form once considered lowbrow 'genre fiction': the post-apocalyptic novel. Calling on her broad knowledge of the history of apocalyptic literature, Hicks examines the most influential post-apocalyptic novels written since the beginning of the new millennium, including works by Margaret Atwood, David Mitchell, Cormac McCarthy, Jeanette Winterson, Colson Whitehead, and Paolo Bacigalupi. Situating her careful readings in relationship to the scholarship of a wide range of historians, theorists, and literary critics, she argues that these texts use the post-apocalyptic form to reevaluate modernity in the context of the new century's political, economic, and ecological challenges. In the immediate wake of disaster, the characters in these novels desperately scavenge the scraps of the modern world. But what happens to modernity beyond these first moments of salvage? In a period when postmodernism no longer defines cultural production, Hicks convincingly demonstrates that these writers employ conventions of post-apocalyptic genre fiction to reengage with key features of modernity, from historical thinking and the institution of nationhood to rationality and the practices of literacy itself.

Author Biography

Heather J. Hicks is Associate Professor of English at Villanova University, USA. She is author of The Culture of Soft Work: Labor, Gender and Race in Postmodern American Narrative and has published in several journals including Postmodern Culture, Arizona Quarterly, Camera Obscura, and Contemporary Literature.

Table of Contents

Introduction: Beyond Salvage
1. The Mother of All Apocalypses in Margaret Atwood's Oryx and Crake
2. 'This Time Round': David Mitchell's Cloud Atlas and the Apocalyptic Problem of Historicism
3. Friday at the End of the World: Apocalyptic Change and the Legacy of Robinson Crusoe in Cormac McCarthy's The Road and Jeanette Winterson's The Stone Gods
4. 'Stop! Can You Hear the Eagle Roar?': Zombie Kitsch and the Apocalyptic Sublime in Colson Whitehead's Zone One
5. 'The Raw Materials': Petromodernity, Retromodernity and the Bildungsroman in Paolo Bacigalupi's Ship Breaker

Rewards Program

Write a Review