Preface | |
Introduction | |
The Generative Matrix | |
The Delay | |
Layers | |
The Multiple | |
Function | |
Originality, Authorship, Authority | |
Print Classification | |
Practical Matters | |
Setting Up Shop | |
Solvents | |
Inks and Additives | |
Paper | |
Registration | |
Proofing and Editioning | |
Safety in the Print Shop | |
Digital Processes | |
History | |
Digital Purposes | |
Inkjet Basics | |
Photo-printmaking Basics | |
Artist profile-Randy Bolton | |
Screen Printing | |
Tools and Materials | |
Planning the Image | |
Basic Stencils | |
Artist profile-David Sandlin | |
Printing | |
Relief | |
Tools and Materials | |
Matrix-making Process | |
Printing the Relief | |
Artist Profile-Karen Kunc | |
Color Relief Printing | |
Beyond the Press | |
Intaglio | |
The Etching Process | |
Tools and Materials | |
Preparing the Plate | |
Non-acid Platemaking Techniques | |
Acid-based Platemaking Techniques | |
Photo Intaglio | |
Photopolymer Flexographic Plates | |
Intaglio Printing | |
Artist Profile-Jo Ganter | |
Image Transfer for Multi-plate Prints | |
Color Intaglio Printing | |
Collagraph | |
Collagraph Materials | |
Approaches to Collagraph | |
Artist profile-Wael A. Sabour | |
Printing the Collagraph Plate | |
Lithography | |
The Process in Brief | |
Traditional Stone and Plate Lithography | |
Creating an Image | |
Photolithography | |
Printing the Lithograph | |
Artist profile-Ingrid Ledent | |
Color Lithography | |
Innovations in Planographic Printing | |
Monoprint | |
Tools and Materials | |
Image-making Strategies | |
Printing the Monoprint | |
Master printer profile-Tom Blaess | |
Watercolor Monoprint | |
Mixed Media | |
Combining Processes | |
Print Strategies | |
Artist profile-Phyllis McGibbon | |
Crossing Other Boundaries | |
Troubleshooting | |
Glossary | |
Suppliers | |
Index | |
Credits & Acknowledgments | |
Table of Contents provided by Publisher. All Rights Reserved. |
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