Reading the Early Modern Passions

by Paster, Gail Kern; Rowe, Katherine; Floyd-Wilson, Mary

• ISBN13: 9780812218725
• ISBN10: 0812218728
• Format: Paperback
• Copyright: 2004-06-01
• Publisher: Univ of Pennsylvania Pr

Summary

How translatable is the language of the emotions across cultures and time? What connotations of particular emotions, strongly felt in the early modern period, have faded or shifted completely in our own? If Western culture has traditionally held emotion to be hostile to reason and the production of scientific knowledge, why and how have the passions been lauded as windows to higher truths? Assessing the changing discourses of feeling and their relevance to the cultural history of affect, Reading the Early Modern Passions offers fourteen interdisciplinary essays on the meanings and representations of the emotional universe of Renaissance Europe in literature, music, and art. Many in the early modern era were preoccupied by the relation of passion to action and believed the passions to be a natural force requiring stringent mental and physical disciplines. In speaking to the question of the historicity and variability of emotions within individuals, several of these essays investigate specific emotions, such as sadness, courage, and fear. Other essays turn to emotions spread throughout society by contemporary events, such as a ruler's death, the outbreak of war, or religious schism, and discuss how such emotions have widespread consequences in both social practice and theory. Addressing anxieties about the power of emotions; their relation to the public good; their centrality in promoting or disturbing an individual's relation to God, to monarch, and to fellow human beings, the authors also look at the ways emotion serves as a marker or determinant of gender, ethnicity, and humanity. Contributors to the volume include Zirka Filipczak, Victoria Kahn, Michael Schoenfeldt, Bruce Smith, Richard Strier, and Gary Tomlinson.

Author Biography

Gail Kern Paster is Director of the Folger Shakespeare Library and the author of The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Katherine Rowe is Associate Professor of English at Bryn Mawr College. She is the author of Dead Hands: Fictions of Agency, Renaissance to Modern. Mary Floyd-Wilson teaches English literature at the University of North Carolina, Chapel Hill, and is the author of English Ethnicity and Race in Early Modern Drama.

Table of Contents

Introduction: Reading the Early Modern Passions	p. 1
Early Modern Emotion Scripts	p. 21
Against the Rule of Reason: Praise of Passion from Petrarch to Luther to Shakespeare to Herbert	p. 23
"Commotion Strange": Passion in Paradise Lost	p. 43
Poses and Passions: Mona Lisa's "Closely Folded" Hands	p. 68
Compassion in the Public Sphere of Milton and King Charles	p. 89
Historical Phenomenology	p. 111
Melancholy Cats, Lugged Bears, and Early Modern Cosmology: Reading Shakespeare's Psychological Materialism Across the Species Barrier	p. 113
English Mettle	p. 130
Hearing Green	p. 147
Humoral Knowledge and Liberal Cognition in Davenant's Macbeth	p. 169
Five Pictures of Pathos	p. 192
Disciplinary Boundaries	p. 215
The Passions and the Interests in Early Modern Europe: The Case of Guarini's Il Pastor fido	p. 217
Sadness in The Faerie Queene	p. 240
"Par Accident": The Public Work of Early Modern Theater	p. 253
Strange Alteration: Physiology and Psychology from Galen to Rabelais	p. 272
Notes	p. 295
List of Contributors	p. 359
Index	p. 363
Acknowledgments	p. 383
Table of Contents provided by Ingram. All Rights Reserved.