Preface | |
Picturing | |
Object pages: picturing | |
Who's in the picture? A introduction to 'picturing' women | |
Figuring | |
Object pages: figuring | |
Essay: Figuring the female body | |
Maudelle Bass: a model body | |
Figuring as flora | |
Figuring the national body | |
Collections essay: Bryn Mawr College suffragette pageants and parades: fashioning a central and socially integrated identity | |
Fashioning | |
Object pages: fashioning | |
Fashioning female identity | |
Fashioning the female body | |
Fashioning national character | |
Essay: Sleeves, purses, spindles: fashioning women in Cesare Vecellio's costume books | |
Fashioning the 2 faces of Eve: the mask of beauty and fickle fraud | |
Fashioning woman | |
Essay: Felt pictures: the phenomenological fabric of Alison Watt's Shift paintings | |
Portraiting | |
Object pages: portraiting | |
Portraiting conventions | |
Collections essay: Library Company of Philadelphia | |
Representative portraits of American women writers from the collections of the Library Company of Philadelphia, to which is appended a preliminary checklist | |
Types and beauties series | |
Essay: Not-beautiful: a counter-theme in the history of women's portraiture | |
Essay: Nationalism, lipstick, and kitchen knives: representations of power and society in the case of Vazirani | |
Telling | |
Object pages: telling | |
Essay: 'Who told you that lie?': picturing Connie Boswell | |
Essay 'Red robe: short story': an interview with Merrill Mason, Kelly Mitchell and Merrill Mason | |
Bibliography | |
Indexes | |
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