What is included with this book?
Acknowledgments | p. viii |
Introduction | p. 1 |
Music and Cosmos | |
Augustine and the Art of Music | p. 27 |
Material: Philip the Chancellor and the Reception of Aristotle's Physics | p. 46 |
"So Faith Comes from What Is Heard": The Relationship between Music and God's Word in the First Two Centuries of German Lutheranism | p. 65 |
Created Beauty: The Witness of J. S. Bach | p. 83 |
On Music, Mathematics, and Theology: Pythagoras, the Mind, and Human Agency | p. 109 |
Music and Culture | |
Music as the Mouthpiece of Theology | p. 137 |
The Shock of the Positive: Olivier Messiaen, St. Francis, and Redemption through Modernity | p. 162 |
Quasi Una Sonata: Modernism, Postmodernism, Religion, and Music | p. 190 |
Music and Theology | |
The Integration of Music and Theology in the Vocal Compositions of J. S. Bach | p. 215 |
"Parables" and "Polyphony": The Resonance of Music as Witness in the Theology of Karl Barth and Dietrich Bonhoeffer | p. 240 |
Musical Time and Eschatology | p. 271 |
Improvising Texts, Improvising Communities: Jazz, Interpretation, Heterophony, and the Ekklesia | p. 295 |
Music and Worship | |
Faithful Feelings: Music and Emotion in Worship | p. 323 |
Music for the Love Feast: Hildegard of Bingen and the Song of Songs | p. 355 |
The Wisdom of Song | p. 382 |
The Truth Shall Set You Free: Song, Struggle, and Solidarity in South Africa | p. 408 |
The Singing of Jesus | p. 434 |
Afterword | p. 454 |
Contributors | p. 464 |
Glossary of Musical Terms | p. 471 |
Index | p. 481 |
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