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| Acknowledgments | p. xvii |
| Heirlooms and Introductions | p. xix |
| Music, Food, and Work: Heeding the Lamentation and Roar of Things Made by Hand | |
| "Dirty Rice" | p. 3 |
| "Rabbit" | p. 4 |
| "Time with Stevie Wonder in It" | p. 6 |
| "Night Shift/Day Shift" | p. 9 |
| "Don't Know What Love Is" | p. 11 |
| "Joe Chappel's Foot Log Bottom Blues, 1952" | p. 12 |
| "Glutton" | p. 14 |
| "Back in blues" | p. 16 |
| "Fish" | p. 17 |
| "Red onion hoodoo" | p. 19 |
| "Night Work" | p. 21 |
| "Doing Hair" | p. 23 |
| "Simmie Knox Paints Bill Clinton for the White House" | p. 25 |
| "The Boucherie" | p. 27 |
| "Catfish" | p. 28 |
| "Miss Look's Dream (Miss Look)" | p. 32 |
| "The Migrants" | p. 34 |
| "The Whistle" | p. 35 |
| "Red Blessings" | p. 38 |
| "At the Owl Club, North Gulfport, Mississippi, 1950" | p. 41 |
| "Pea Song" | p. 43 |
| "Intermittent Requiems for Bud" | p. 44 |
| "Witness" | p. 46 |
| "The Spice of Life" | p. 47 |
| "The Quilter" | p. 48 |
| "Sound and Semblance" | p. 49 |
| "Cookout" | p. 52 |
| "Watermelon Repast" | p. 54 |
| "Pot Meals" | p. 55 |
| "I know the grandmother one had hands" | p. 57 |
| "Smoke" | p. 59 |
| "Middle Ear" | p. 61 |
| Swimming, Childhood, and Other Thunders: Don't Get Your Hot Hair Wet or Your Good Shoes Dirty | |
| "How to Teach Them" | p. 65 |
| "Immolatus" | p. 68 |
| "Nikki-Rosa" | p. 70 |
| "Lessons in Trailer Living" | p. 72 |
| "Hair Raising" | p. 73 |
| "1957" | p. 74 |
| "Manhood" | p. 76 |
| "What she will remember" | p. 78 |
| "Splinter of the Path" | p. 79 |
| "Fusion" | p. 81 |
| "On the first drive-by" | p. 83 |
| "Mama Gertie Bell Speaks to Her Granddaughter" | p. 84 |
| "My Best Day" | p. 85 |
| "Nicknames" | p. 86 |
| "Journeyman" | p. 90 |
| "Buckwheat's Lament" | p. 91 |
| "Bull" | p. 92 |
| "How to Make It" | p. 94 |
| "Key west" | p. 97 |
| "Eads Bridge Boogie Across the Mississippi" | p. 99 |
| "History Makes Concessions for White Boys" | p. 100 |
| "Black Hymnal" | p. 102 |
| "The Dry Spell" | p. 104 |
| "Spectaculations" | p. 106 |
| "Ghazai for My Mother" | p. 108 |
| Religion and Nature: The Lord Looks Out for Babies and Fools; The Anvil of Heaven Murmuring | |
| "Sunday" | p. 111 |
| "How to Make Rain" | p. 112 |
| "The Tire Plant Is Struck by Lightning" | p. 114 |
| "Baptism" | p. 115 |
| "St. Philip Blues" | p. 117 |
| "Quarter Moon Rise" | p. 119 |
| "Israelites" | p. 120 |
| "Picnic" | p. 121 |
| "Lightning bug reflects" | p. 123 |
| "The Reason I Know the Devil Is Mean" | p. 124 |
| "Nat Turner in the Clearing" | p. 125 |
| "Prelude to a new plague" | p. 126 |
| "Speaking in Tongues" | p. 127 |
| "My Mother's Tornado" | p. 129 |
| "Goodness and Mercy Shall Follow Me" | p. 130 |
| "Goldsboro Narrative #20" | p. 131 |
| "Storm Named Earl" | p. 133 |
| His and Her Story: The Myth and Rumble of Memory under the Hammer of Jeopardy | |
| "Harriet Tubman's Email 2 Master" | p. 139 |
| "Seven crown man" | p. 140 |
| "Reward" | p. 142 |
| "The Politics of Breathing" | p. 144 |
| "We Are Not Responsible" | p. 145 |
| "The Good Funeral" | p. 146 |
| "My Heart" | p. 148 |
| "Hands, 1921" | p. 149 |
| "Drapery Factory, Gulfport, Mississippi, 1956" | p. 152 |
| "Barking" | p. 278 |
| "In a place where" | p. 279 |
| "Garden" | p. 281 |
| "O'Connor's South" | p. 284 |
| "Bliss: geophagy" | p. 286 |
| "Bowing in the Church of Beauty" | p. 287 |
| "Awake" | p. 288 |
| "In my neighborhood just north of atlanta" | p. 289 |
| "Milledgeville Haibun" | p. 290 |
| "Fifth Street Exit, Richmond" | p. 291 |
| "Summer Night, McNasby's Pier, 1968" | p. 295 |
| "Duke" | p. 297 |
| "Of Course the Brochure Doesn't Mention Mrs. Abbott" | p. 300 |
| "Knoxville, Tennessee" | p. 303 |
| "Between Angels & Monsters" | p. 304 |
| "On Passing thru Morgantown" | p. 306 |
| "Song of the South" | p. 307 |
| "Our Natures Rise" | p. 309 |
| "Home (Running Man)" | p. 310 |
| "Landscape Mode" | p. 313 |
| "True Autumn" | p. 314 |
| "Driving South" | p. 316 |
| "I Love It When You Call Me Big Country" | p. 317 |
| The Twenty-first-Century Southern Riff and Shout: Modern Lullabies for Planet Octavia | |
| "Ectopia" | p. 321 |
| "Graphs: Photos from a Traveler" | p. 322 |
| "Residual" | p. 325 |
| "I Have Walked a Long Time" | p. 326 |
| "Saturday & a glimpse of sunday" | p. 328 |
| "Haiku 142005" | p. 330 |
| "Community day" | p. 331 |
| "Afronauts" | p. 334 |
| "We Real Crunk" | p. 336 |
| "Diovan HCT 160MG" | p. 337 |
| "Three the Hard Way" | p. 338 |
| "Lawn Jockey" | p. 344 |
| "Poem For Amadou Diallo" | p. 345 |
| "Big Thicket: Pastoral" | p. 346 |
| "Dressing Down" | p. 349 |
| "Elegy for the Mad Brother @ Borders" | p. 350 |
| "Poem for June Jordan" | p. 352 |
| "Apathy no more" | p. 354 |
| "Gentleman" | p. 356 |
| "Eartha Takes the Old Woman Shopping for Red Shoes" | p. 357 |
| "One for Strom" | p. 359 |
| "Now" | p. 360 |
| Nikky Finney Interviews Lucille Clifton | p. 363 |
| Credits | p. 379 |
| Contributors | p. 385 |
| Table of Contents provided by Ingram. All Rights Reserved. |
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