What is included with this book?
Introduction: Rules or No Rules? | p. 15 |
The Practice of preparation | |
Write what you know | p. 20 |
Find your authentic voice | p. 26 |
Start with a strong premise and a compelling pitch | p. 34 |
Read what you want to write | p. 40 |
You canÆt do too much research | p. 42 |
Write an outline before you write | p. 46 |
Write what the market wants | p. 56 |
Principles or Prescriptions? Structure, Character, Dialogue | |
'Story is about principles not rules' Robert McKee | p. 62 |
'If you would have your play deserve success, Give it five acts complete; nor more, nor less;' Horace (c.18 BCE) | p. 68 |
Structure is what holds it all together | p. 76 |
Hit the ground running | p. 85 |
Know as much detail as possible about your characters | p. 91 |
Make your main character likeable | p. 97 |
The antagonist must be big and bad | p. 103 |
Keep your main character active | p. 109 |
Your characters must be distinct from one another | p. 115 |
Put off writing dialogue for as long as possible | p. 118 |
Create believable dialogue | p. 120 |
'Use regional dialect, patois, sparingly' Elmore Leonard | p. 125 |
Keep 'em guessing | p. 129 |
The ending must resolve | p. 139 |
Contentions of Style, Economy and Consistency | |
Tone and style must be consistent | p. 146 |
Keep your language fresh, original and vivid | p. 151 |
The writer is the invisible hand | p. 159 |
Less is more | p. 162 |
Show don't tell | p. 164 |
Principles of Freedoms: Written and Unwritten Laws of Taste and Taboos | |
Obey the arbiters of taste | p. 172 |
Be balanced | p. 179 |
Do not offend | p. 182 |
Stay within the law | p. 189 |
'The purpose of art is not to change but to delight' David Mamet | p. 192 |
The Rules of Rewriting | |
Writing is rewriting | p. 196 |
Have your family or friends read, before submitting professionally | p. 204 |
Murder your darlings | p. 208 |
Never argue with feedback | p. 210 |
The rejection of your work isn't personal | p. 214 |
The Writing Games: Maxims of process and profession | |
Ignore the saboteurs in your writing life | p. 220 |
Learn how to be alone | p. 227 |
You can't teach talent | p. 231 |
Just Write | p. 237 |
Rules of being a Role Breaker | p. 241 |
Notes | p. 243 |
References | p. 245 |
Contributing Writers | p. 251 |
Index | p. 258 |
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