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Summary
This book examines the iconography of the Virgin of Guadalupe as a force for social justice and feminist emancipation within Chicana cultural productions from 1975 to 2010. In these productions the Virgin serves as a paradigm to unlock the histories of conquest and colonization, racism, gender, and sexual oppression in the US-Mexico borderland and beyond, and as a means to negotiate new social relations through spiritual mestizaje.
Author Biography
Clara Román-Odio is Professor of Spanish, Modern Languages, and Literatures at Kenyon College, USA.