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9781554582648

Crosstalk : Canadian and Global Imaginaries in Dialogue

by ;
  • ISBN13:

    9781554582648

  • ISBN10:

    1554582644

  • Format: Hardcover
  • Copyright: 2012-03-30
  • Publisher: Wilfrid Laurier Univ Pr
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Summary

What are the fictions that shape Canadian engagement with the world? What frictions emerge from these encounters? This book demonstrates the productivity of scholarly debate across differences of outlook, culture, or training.

Author Biography

Diana Brydon is Canada Research Chair in Globalization and Cultural Studies and Director of the Centre for Globalization and Cultural Studies at the University of Manitobe. She has published books on Christina Stead and Timothy Findley, edited Postcolonialism: Critical Concepts in Literary and Cultural Studies, and co-edited Shakespeare in Canada and Renegotiating Community: Interdisciplinary Perspectives, Global Contexts. Marts Dvork is a professor of Canadian and postcolonial literatures in English at the Sorbonne Nouvelle, former associate editor of The International Journal of Canadian Studies, and editor of Commonwealth Essays and Studies. She has written and edited many books, including Ernest Buckler: Rediscovery and Reassessment (WLU Press, 2001), Tropes and Territories: Short Fiction, Postcolonial Readings, and Canadian Writings in Context (which she co-edited with W.H. New), and The Faces of Carnival in Anita Desai's In Custody.

Table of Contents

Acknowledgementsp. vii
Introduction: Negotiating Meaning in Changing Timesp. 1
"Whirlwinds Coiled at My Heart": Voice and Vision in a Writer's Practicesp. 21
Collaboration, Crosstalk, Improvisation
Voicing the Unforeseeable: Improvisation, Social Practice, Collaborative Researchp. 39
Epistemological Crosstalk: Between Melancholia and Spiritual Cosmology in David Chariandy's Soucouyant and Lee Maracle's Daughters Are Foreverp. 53
Native Performance Culture, Moniques Mojica, and the Chocolate Woman Workshopsp. 73
Collaboration and Convention in the Poetry of Pain Not Breadp. 95
Dialogism, Polyphony, Voice
Rejoinders in a Planetary Dialogue: J. M. Coetzee, Margaret Atwood, Lloyd Jones, et al. in Dialogue with Absent Textsp. 111
Not Just Representation: The Sound and Concrete Poetries of The Four Horsemenp. 135
Portraits of the Artist in Dionne Brand's What We All Long For and Madeleine Thien's Certaintyp. 151
Unsettling Voices: Dionne Brand's Cosmopolitan Citiesp. 169
Questions if Voice, Race, and the Body in Hiromi Goto's Chorus of Mushrooms and Larissa Lai's When Fox Is a Thousandp. 185
Space, Place, and Circulation
The Artialisation of Landscape in Jane Urquhart's The Whirlpoolp. 199
Ghostly Voices and Arctic Blanks: From Emily Bronte's Wuthering Heights to Jane Urquhart's Changing Heavenp. 215
"You must see to understand...": Orientalist Clichés and Transformation in Robert Lepage's The Dragons' Trilogyp. 225
Diasporic Appropriations: Exporting South Asian Culture from Canadap. 241
Negotiating Belonging in Global Times: The Hérouxville Debatesp. 253
Works Citedp. 273
Contributionp. 299
Indexp. 303
Table of Contents provided by Ingram. All Rights Reserved.

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