List of Illustrations | |
Notes on Contributors | |
Acknowledgements | |
Introduction: The Dramatic World of the Renaissance | |
The Drama's World. | |
The Politics of Renaissance England | |
Political Thought and the Theater, 1580-1630 | |
Religious Persuasions, C.1580-C.1620 | |
Social Discourse and the Changing Economy | |
London and Westminster | |
Vagrancy | |
Family and Household | |
Travel and Trade | |
Everyday Custom and Popular Culture | |
Magic and Witchcraft | |
The World of Drama. | |
Play Houses | |
The Transmission of an English Renaissance Play-text | |
Playing Companies and Repertory | |
Must the Devil Appear?: Audiences, Actors, and Stage Business | |
"The Actors are Come Hither": Traveling Companies | |
Jurisdiction of Theater and Censorship | |
Kinds of Drama. | |
Medieval and reformation Roots | |
The Academic Drama | |
"What revels are in Hand?": Performances in the Great Households | |
Progresses and Court Entertainments | |
Civic Drama | |
Boy Companies and Private Theaters | |
Revenge Tragedy | |
Staging the Malcontent in early Modern England | |
City Comedy | |
Domestic Tragedy: Private Life on the Public Stage | |
Romance and Tragicomedy | |
Gendering the Stage | |
Closet Drama | |
Dramatists. | |
Continental Influences | |
Christopher Marlowe | |
Ben Jonson | |
Sidney, Cary, Wroth | |
Thomas Middleton | |
Beaumont and Fletcher | |
Collaboration | |
John Webster | |
John Ford | |
Index | |
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