The Secret Life of the American Musical How Broadway Shows Are Built

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  • Format: Hardcover
  • Copyright: 2016-03-01
  • Publisher: Sarah Crichton Books

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For almost a century, Americans have been losing their hearts and losing their minds in an insatiable love affair with the American musical. It often begins in childhood in a darkened theater, grows into something more serious for high school actors, and reaches its passionate zenith when it comes time for love, marriage, and children, who will start the cycle all over again. Americans love musicals. Americans invented musicals. Americans perfected musicals. But what, exactly, is a musical?

In The Secret Life of the American Musical, Jack Viertel takes them apart, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings. In the process, he invites us to fall in love all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next—by design or by accident, by emulation or by rebellion—from Oklahoma! to Hamilton and onward.

Structured like a musical, The Secret Life of the American Musical begins with an overture and concludes with a curtain call, with stops in between for “I Want” songs, “conditional” love songs, production numbers, star turns, and finales. The ultimate insider, Viertel has spent three decades on Broadway, working on dozens of shows old and new as a conceiver, producer, dramaturg, and general creative force; he has his own unique way of looking at the process and at the people who collaborate to make musicals a reality. He shows us patterns in the architecture of classic shows and charts the inevitable evolution that has taken place in musical theater as America itself has evolved socially and politically.

The Secret Life of the American Musical makes you feel as though you’ve been there in the rehearsal room, in the front row of the theater, and in the working offices of theater owners and producers as they pursue their own love affair with that rare and elusive beast—the Broadway hit.

Author Biography

Jack Viertel is the senior vice president of Jujamcyn Theaters, which owns and operates five Broadway theaters. He has been involved in dozens of productions presented by Jujamcyn since 1987. He is also the artistic director of New York City Center's Encores! series, which presents three musical productions every season. In that capacity he has overseen fifty shows, adapting the scripts for some. He was the dramaturg of the Mark Taper Forum in Los Angeles, and the drama critic and arts editor of the Los Angeles Herald Examiner. He teaches at the Tisch School of the Arts at New York University. Viertel began his career playing National Steel-body guitar behind Bonnie Raitt, Son House, and the Pointer Sisters. He is a certified Memphis in May contest barbecue judge.

Table of Contents

Tuning Up: or, How I Came to Write This Book
A Note About the Shows Discussed-and a Few Other Items

1. Overture
2. Curtain Up, Light the Lights: Opening Numbers
3. The Wizard and I: The "I Want" Song
4. If I Loved You: Conditional Love Songs
5. Put On Your Sunday Clothes: The Noise
6. Bushwhacking 1: Second Couples
7. Bushwhacking 2: Villains
8. Bushwhacking 3: The Multiplot, and How It Thickens
9. Adelaide's Lament: Stars
10. Tevye's Dream: Tent Poles
11. Coming Up Roses: Curtain: Act 1
12. Intermission
13. Clambake: Curtain Up: Act 2
14. Suddenly Seymour: The Candy Dish
15. All er Nothin': Beginning to Pack
16. The Little House of Joseph Smith, the American Moses: The Main Event
17. I Thought You Did It for Men Mama: The Next-to-Last Scene
18. You Can't Stop the Beat: The End
19. How Woody Guthrie-of All People- Changed Broadway Musicals Forever: Curtain Call

Listening to Broadway

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