Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
Purchase Benefits
What is included with this book?
Foreword | p. viii |
Preface to the First Edition | p. x |
Preface to the Second Edition | p. xii |
Preface to the Third Edition | p. xiii |
Introduction to the First and Second Edition by Richard Peaslee | p. xv |
Introduction to the Third Edition by Mark Lamos | p. xvii |
Acknowledgments | p. xix |
The Art of Looking with the Ear by Tazewell Thompson | p. xxi |
The Evolution of Sound Design | p. 1 |
The Foundation of Sound Design | p. 12 |
Developing the Concept and Design | p. 40 |
Research, Resources, and Selection | p. 51 |
The Sound Plot | p. 65 |
Working with the Theatre Company | p. 80 |
Preparing to Build the Cues | p. 95 |
Recording, Editing, and Refining Cues | p. 110 |
Rehearsals | p. 118 |
Running the Show | p. 141 |
Approaches and Techniques | p. 167 |
Feedback: A Directors' and Playwrights' Forum | p. 186 |
More Feedback: A Sound Designers' and Composers' Forum | p. 223 |
No More Feedback: A Sound Reinforcement Forum | p. 289 |
Glossary | p. 307 |
Index | p. 313 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.