Foreword | vii | ||||
Preface to the Eighth Edition | ix | ||||
Preface to the First Edition | xi | ||||
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1 | (10) | |||
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2 | (1) | |||
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2 | (5) | |||
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7 | (3) | |||
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10 | (1) | |||
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11 | (11) | |||
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11 | (7) | |||
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18 | (3) | |||
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21 | (1) | |||
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22 | (22) | |||
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25 | (6) | |||
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31 | (1) | |||
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32 | (5) | |||
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37 | (2) | |||
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39 | (3) | |||
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42 | (1) | |||
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43 | (1) | |||
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43 | (1) | |||
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44 | (15) | |||
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44 | (3) | |||
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47 | (1) | |||
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48 | (5) | |||
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53 | (2) | |||
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55 | (3) | |||
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58 | (1) | |||
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59 | (22) | |||
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59 | (7) | |||
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66 | (3) | |||
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69 | (2) | |||
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71 | (2) | |||
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73 | (2) | |||
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75 | (5) | |||
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80 | (1) | |||
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81 | (24) | |||
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83 | (1) | |||
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84 | (5) | |||
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89 | (2) | |||
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91 | (1) | |||
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91 | (5) | |||
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96 | (1) | |||
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97 | (5) | |||
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102 | (2) | |||
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104 | (1) | |||
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104 | (1) | |||
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105 | (8) | |||
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112 | (1) | |||
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113 | (44) | |||
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113 | (3) | |||
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116 | (1) | |||
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117 | (1) | |||
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118 | (1) | |||
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118 | (21) | |||
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139 | (1) | |||
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140 | (9) | |||
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149 | (4) | |||
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153 | (3) | |||
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156 | (1) | |||
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157 | (6) | |||
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158 | (3) | |||
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161 | (1) | |||
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162 | (1) | |||
10 Department Management and Property Management | 163 | (14) | |||
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163 | (1) | |||
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164 | (1) | |||
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165 | (4) | |||
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169 | (7) | |||
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176 | (1) | |||
11 Supervision of Shifts | 177 | (16) | |||
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177 | (5) | |||
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182 | (1) | |||
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182 | (1) | |||
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183 | (2) | |||
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185 | (1) | |||
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186 | (3) | |||
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189 | (1) | |||
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189 | (1) | |||
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190 | (2) | |||
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192 | (1) | |||
12 Running the Technical Rehearsal | 193 | (9) | |||
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201 | (1) | |||
13 Running the Show | 202 | (14) | |||
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202 | (3) | |||
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205 | (6) | |||
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211 | (1) | |||
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212 | (2) | |||
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214 | (1) | |||
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214 | (1) | |||
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215 | (1) | |||
14 Working with the House Manager | 216 | (13) | |||
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217 | (4) | |||
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221 | (3) | |||
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224 | (3) | |||
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227 | (1) | |||
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228 | (1) | |||
15 Keeping the Show in Hand | 229 | (6) | |||
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229 | (2) | |||
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231 | (1) | |||
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232 | (1) | |||
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233 | (1) | |||
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234 | (1) | |||
16 Closing and Moving/Touring | 235 | (12) | |||
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235 | (2) | |||
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237 | (2) | |||
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239 | (7) | |||
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246 | (1) | |||
17 Organizing Information | 247 | (25) | |||
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247 | (1) | |||
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247 | (3) | |||
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250 | (3) | |||
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253 | (1) | |||
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253 | (2) | |||
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255 | (3) | |||
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258 | (1) | |||
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259 | (4) | |||
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263 | (7) | |||
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270 | (1) | |||
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270 | (1) | |||
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270 | (1) | |||
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271 | (1) | |||
18 Correspondence | 272 | (4) | |||
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272 | (1) | |||
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273 | (1) | |||
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273 | (2) | |||
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275 | (1) | |||
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275 | (1) | |||
19 Getting a Job | 276 | (10) | |||
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276 | (1) | |||
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277 | (3) | |||
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280 | (2) | |||
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282 | (3) | |||
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285 | (1) | |||
Appendix A Production Checklist from a Stage Manager's Point of View: A Chronological Approach and Priorities | 286 | (4) | |||
Appendix B Forms | 290 | (1) | |||
Appendix C A Few Theater Stories | 291 | (8) | |||
Appendix D Websites of Interest to Stage Managers | 299 | (7) | |||
Appendix E What Would You Do? | 306 | (4) | |||
Glossary | 310 | (23) | |||
Reader's Comments Form | 333 | (2) | |||
Index | 335 |
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