What is included with this book?
Introduction | p. 1 |
Early Works | |
Stanley Kubrick and Look Magazine | p. 7 |
Kubrick's Early Non-Fiction Work | p. 22 |
The Art of War (Films): Fear and Desire and Paths of Glory | p. 29 |
The Dream Landscape of Killer's Kiss | p. 39 |
One Watches Cells: Kubrick's Films Noirs in Context | p. 47 |
Part I Notes | p. 65 |
Major Works | |
Patterns of Space, Sound, and Movement in Paths of Glory | p. 71 |
Spartacus: The Spectre of Politics and the Politics of Spectacle | p. 82 |
Believing Is Seeing: Surveillance and 2001: A Space Odyssey | p. 94 |
Value, Violence, and Music Recognized: A Clockwork Orange as Musicology | p. 105 |
The Sadness of the Gaze: Barry Lyndon | p. 123 |
Reconsidering Fidelity and Considering Genre in (and with) The Shining | p. 136 |
Part II Notes | p. 149 |
Eyes Wide Shut (1999): A Case Study | |
The Mask that Conceals Nothing: Marital Fidelity and the Lo-Fi Soundscape in Eyes Wide Shut | p. 157 |
Eyes Wide Shut: Kubrick and the Representation of Gender | p. 170 |
Carnivalesque and Grotesque Bodies in Eyes Wide Shut | p. 182 |
The Phenomenological Quest of Stanley Kubrick: Eyes Wide Shut | p. 196 |
Part III Notes | p. 206 |
Kubrick's Legacy | |
Mechanical Humanity, or How I Learned to Stop Worrying and Love the Android: The Posthuman Subject in 2001: A Space Odyssey and Artificial Intelligence: A.I. | p. 211 |
Whose Stanley Kubrick? The Myth, Legacy, and Ownership of the Kubrick Image | p. 232 |
Part IV Notes | p. 245 |
About the Contributors | p. 249 |
Index | p. 253 |
Table of Contents provided by Ingram. All Rights Reserved. |
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