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| List of figures | p. ix |
| Foreword | p. xii |
| Introduction | p. xiv |
| Expression, representation and symbolism | p. 1 |
| Genesis | p. 28 |
| Spontaneously generated expressive structure | p. 40 |
| Structural principles: Modification, variation and extension of First Generation Actions | p. 67 |
| The meaning of the moving hand | p. 71 |
| Directions and locations | p. 79 |
| The end of the line | p. 90 |
| Repetition and variation upon a structural theme | p. 107 |
| The giving of meaning | p. 122 |
| Sentences in the sky | p. 128 |
| Point-of-arrival and moment-of-impact | p. 139 |
| Helping hands | p. 151 |
| Shape, form and symmetry | p. 160 |
| Empathy and imagination | p. 179 |
| Dialogue | p. 187 |
| Dynamic-structure | p. 191 |
| Continuous-rotation | p. 200 |
| In a spin: Continuous-rotation continued | p. 208 |
| Bottoms-up: Script-violation | p. 226 |
| Rotation around an axis | p. 230 |
| Rhythm | p. 238 |
| A new kind of desire | p. 248 |
| Deep structure | p. 252 |
| The image | p. 258 |
| Shapes of things to come | p. 268 |
| The dynamic knot | p. 282 |
| Drawing and writing | p. 296 |
| Description | p. 304 |
| The scratch | p. 311 |
| Agon | p. 313 |
| Dying slave | p. 316 |
| Sack-cloth and ashes | p. 318 |
| Ida draws | p. 341 |
| Conclusion | p. 340 |
| References | p. 356 |
| Author Index | p. 363 |
| Subject index | p. 366 |
| Table of Contents provided by Ingram. All Rights Reserved. |
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