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Preface | p. ix |
Abbreviations | p. xv |
Echoes | p. 1 |
Music and Eros | |
Søren Kierkegaard | |
Suggestive Music | |
Peculiarities of Musical Erotics | |
Charles Baudelaire | |
Friedrich Nietzsche and Malwida von Meysenbug | |
Édouard Schuré and Hans von Bülow | |
Ludwig Schnorr von Carolsfeld | |
Gabriele D'Annunzio and Thomas Mann | |
WagnerÆs critics | |
Clara Schumann | |
Intentions | p. 40 |
Julius Kapp and Ernest Newman | |
Das Liebesverbot | |
Salvation from Arousal | |
Wilhelmine Schröder-Devrient | |
Arthur Schopenhauer | |
Opera, Not Philosophy | |
Harmonies | p. 73 |
Der Fliegende Holländer | |
Tannhäuser | |
Erotics in the Literary Sources | |
A Tour of the Venusberg | |
Love in the Ring Poem | |
Die Walküre | |
Tristan und Isolde | |
The Tristan Chord | |
Musical Paradigms in the Tristan Prelude | |
Tristan, Act II | |
Renunciations of Love | |
Die Meistersinger and Götterdämmerung | |
Parsifal | |
Pathologies | p. 117 |
Theodor Puschmann | |
Nietzsche the Pathologist | |
Worries about Masturbation | |
Pink Satin and Rose Perfumes | |
Wagner and His Milliners | |
Judith Gautier | |
Julius Cyriax | |
Fetishism and Cross-dressing | |
Fabric and Perfumes in the Operas | |
Flower-Maidens | |
Kundry | |
James Gibbons Huneker | |
Paul Lindau, Max Kalbeck, and Paul Heyse | |
Berthold Auerbach and Daniel Spitzer | |
Max Nordau and Theodor Herzl | |
Otto Weininger | |
Effeminacy and Jewishness | |
Homoerotics | p. 175 |
Paid von Joukowsky and Pepino | |
Henry James | |
Richard von Krafft-Ebing and Oscar Panizza | |
Hanns Fuchs and the ôHomosexual in Spirit" | |
Homosexual Sensibilities in German Literature | |
Ludwig II of Bavaria | |
Rejection of Pederasty | |
Signs of Romantic Friendship | |
Brangäne | |
Kurwenal | |
King Marke | |
Parsifal | |
Wagner and His Romantic Friends | |
Epilogue | p. 218 |
Appendix: Musical Examples | p. 225 |
Notes | p. 243 |
Index | p. 261 |
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