did-you-know? rent-now

Amazon no longer offers textbook rentals. We do!

did-you-know? rent-now

Amazon no longer offers textbook rentals. We do!

We're the #1 textbook rental company. Let us show you why.

9780199261697

Walter Sickert The Complete Writings on Art

by ;
  • ISBN13:

    9780199261697

  • ISBN10:

    0199261695

  • Format: Paperback
  • Copyright: 2003-03-20
  • Publisher: Oxford University Press

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

Purchase Benefits

  • Free Shipping Icon Free Shipping On Orders Over $35!
    Your order must be $35 or more to qualify for free economy shipping. Bulk sales, PO's, Marketplace items, eBooks and apparel do not qualify for this offer.
  • eCampus.com Logo Get Rewarded for Ordering Your Textbooks! Enroll Now
List Price: $234.66 Save up to $70.40
  • Rent Book $164.26
    Add to Cart Free Shipping Icon Free Shipping

    TERM
    PRICE
    DUE
    USUALLY SHIPS IN 3-5 BUSINESS DAYS
    *This item is part of an exclusive publisher rental program and requires an additional convenience fee. This fee will be reflected in the shopping cart.

Supplemental Materials

What is included with this book?

Summary

Walter Richard Sickert (1860-1942) was a major European artist and critic of the late nineteenth and early twentieth century, whose statements on art from the 1880s to the 1930s have been used by artists and writers on art for more than half a century. His criticism is provocative andpenetrating, his writing style brilliant and entertaining. The need for a comprehensive edition of Sickert's art-critical writings is overwhelming, and the texts gathered together here for the first time in one volume by Anna Gruetzner Robins, a leading expert on the subject, prove that hiscontribution as an art-writer was a major one in its own right. The texts are presented chronologically and supported by notes which give the information necessary to situate the figures and events to which Sickert refers. Containing over 400 entries this collection offers much new insight into Sickert as an artist and provides valuable information about other British artists of the late nineteenth and early twentieth centuries. Sickert was as much at home in Paris and Venice as in London: his record ofconversations with Degas and meetings with other French artists, and the new provenances and exhibition histories he gives of many well-known works of art, make this book indispensable.

Author Biography


Anna Gruetzner Robins is Reader in History of Art, University of Reading.

Table of Contents

List of Illustrations
xxii
Acknowledgements xxv
Introduction xxvii
Chronology xxxvii
Abbreviations xl
A COMPLETE EDITION OF WALTER SICKERT'S ART CRITICISM
`An Art Student writes to us as follows', Pall Mall Gazette, 7 June 1882
3(1)
`Mr Whistler and His Art', The Artist and Journal of Home Culture, 1 June 1884
3(2)
`Whistler by a Whistlerite', Truth, 7 May 1885
5(2)
`Mr Whistler and Mr Menpes', Pall Mall Gazette, 27 April 1888
7(1)
`The Royal Society of British Artists', Scottish Art Review, January 1889
7(3)
`Impressionism---True and False', Pall Mall Gazette, 2 February 1889
10(1)
```Abiding Art''. Mr Spielmann's ``Great Drypoint''', New York Herald, 3 March 1889
11(1)
`A Portfolio of Lithographs', New York Herald, 4 March 1889
12(1)
`A Concession, But---', New York Herald, 6 March 1889
13(1)
`Painter-Etchers', New York Herald, 7 March 1889
14(1)
`Corot Indifferent to Colour', New York Herald, 8 March 1889
15(1)
`The Painter-Etchers', New York Herald, 14 March 1889
16(2)
`The Royal Institute', New York Herald, 18 March 1889
18(3)
`Mr Spielmann Abroad', New York Herald, 19 March 1889
21(1)
`Uninspired Art Notes', and `The Lady Artists', New York Herald, 27 March 1889
21(5)
`Drawing. Messrs Dowdeswell's Galleries (First Notice)', New York Herald, 1 April, 1889
26(2)
`Picture-Pasters. The Dowdeswell Galleries', New York Herald, 5 April 1889
28(3)
`The Dowdeswell Galleries (Third Notice)', New York Herald, 10 April 1889
31(3)
`The New English Art', New York Herald, 14 April 1889
34(1)
`The New English Art Club (First Notice)', New York Herald, 16 April 1889
35(2)
``'S'' in the ``Echo''', New York Herald, 17 April 1889
37(3)
`Mr H. Marion Spielmann', New York Herald, 19 April 1889
40(1)
`The New English Art Club Exhibition', The Scotsman, 24 April 1889
41(1)
`The New English Art Club (Second Notice)', New York Herald, 27 April 1889
42(2)
`The Private Galleries', New York Herald, 4 May 1889
44(2)
`The Royal Academy (First Notice)', New York Herald, 8 May 1889
46(2)
`The Royal Academy (Second Notice)', New York Herald, 16 May 1889
48(3)
`The Old and New Grosvenor Galleries', New York Herald, 31 May 1889
51(2)
`The New English Art Club (Third Notice)', New York Herald, 14 June 1889
53(3)
`Topical Interviews: Mr Walter Sickert on Impressionist Art', The Sun, 8 September 1889
56(3)
`Impressionism', Goupil Gallery, 2 December 1889
59(2)
`London Impressionists', Scots Observer, 1 March 1890
61(1)
Letter, Art Weekly, 12 April 1890
61(1)
`The Royal Academy Exhibition', Art Weekly, 10 May 1890
61(4)
`The Royal Academy Exhibition II', Art Weekly, 17 May 1890
65(2)
`Art', The Whirlwind, 28 June 1890
67(2)
`Literature', The Whirlwind, 28 June 1890
69(1)
`We see Mr Sickert and go him one better', The Whirlwind, 5 July 1890
70(1)
`Art', The Whirlwind, 5 July 1890
70(1)
`Reproductive Etching', The Whirlwind, 5 July 1890
71(1)
`Art: The Whirlwind Diploma Gallery of Modern Pictures, I', The Whirlwind, 12 July 1890
72(1)
`Art: The Whirlwind Diploma Gallery of Modern Pictures, II', The Whirlwind, 19 July 1890
73(1)
`The Gospel of Impressionism', Pall Mall Gazette, 21 July 1890
74(4)
`Art: The Whirlwind Diploma Gallery of Modern Pictures, III', The Whirlwind, 26 July 1890
78(1)
`Art: The Whirlwind Diploma Gallery of Modern Pictures, IV', The Whirlwind, 2 August 1890
79(1)
`Correspondence', The Whirlwind, 23 August 1890
79(1)
`The New English Art Club and its Aims', Pall Mall Gazette, 3 October 1890
80(1)
`Francis E. James', Dudley Gallery, 6 December 1890
81(2)
`Pennell v. Herkomer', National Observer, 28 March 1891
83(1)
`Drawing and Photography', National Observer, 2 May 1891
84(1)
`Modern Realism in Painting', in Jules Bastien-Lepage and His Art: A Memoir, ed. Andre Theuriet, 1892
85(4)
`Professor Herkomer, RA', National Observer, 6 February 1892
89(1)
`Whistler To-Day', Fortnightly Review, April 1892
90(5)
`Painters and the Public', Pall Mall Gazette, 30 April 1892
95(1)
`Some Remarks on Impressionism', Art Journal, 1893
96(1)
`To the Editor of the Westminster Gazette', Westminster Gazette, 20 March 1893
96(1)
`Is the Camera the Friend or Foe of Art?', Studio Magazine, July 1893
97(1)
`Water Colours by D. S. MacColl', Manchester Guardian, 9 December 1893
97(2)
`Mr Philip Wilson Steer's Paintings at the Goupil Gallery', Studio Magazine, February 1894
99(1)
`Knowledge in Art', The Globe, 30 July 1895
100(1)
`The Art of George Du Maurier', The Speaker, 17 October 1896
101(3)
`Rabboni', The Speaker, 24 October 1896
104(1)
`The Art of Caricature', The Speaker, 31 October 1896
105(3)
`Two Exhibitions', The Speaker, 7 November 1896
108(2)
`Furniture Pictures', The Speaker, 14 November 1896
110(2)
`On Line', The Speaker, 21 November 1896
112(2)
`The Private Galleries', The Speaker, 28 November 1896
114(2)
`The Grafton Galleries', The Speaker, 12 December 1896
116(3)
`Lord Leighton's Studies', The Speaker, 26 December 1896
119(2)
`Transfer Lithography', Saturday Review, 26 December 1896
121(3)
`Small Pictures', The Speaker, 2 January 1897
124(2)
`A Great Englishman', The Speaker, 16 January 1897
126(3)
`Wanted, a Critic!', The Sun, 16 January 1897
129(2)
`Schools of Art', The Speaker, 23 January 1897
131(2)
`Art Criticism', The Speaker, 6 February 1897
133(2)
`The Royal Academy', The Sun, 10 February 1897
135(2)
`Ford Madox Brown', The Speaker, 13 February 1897
137(2)
`The Royal Academy', The Sun, 17 February 1897
139(2)
`Drawing From the Life', The Speaker, 20 February 1897
141(2)
`Ford Madox Brown', The Speaker, 27 February 1897
143(2)
`Water-colour Drawings', The Speaker, 6 March 1897
145(2)
`The Master of the Transfer Lithograph', The Speaker, 13 March 1897
147(2)
`The Royal Society of Painter-Etchers', The Speaker, 20 March 1897
149(2)
`Du Maurier's Drawings', The Speaker, 27 March 1897
151(2)
`Royal Academy Reform', The Speaker, 3 April 1897
153(2)
`Alphonse Legros', The Speaker, 10 April 1897
155(2)
`The New English Art Club', The Speaker, 17 April 1897
157(3)
`Charles Hazelwood Shannon', The Speaker, 24 April 1897
160(3)
`New Gallery', The Speaker, 1 May 1897
163(3)
`The Royal Academy (First Notice)', The Speaker, 8 May 1897
166(2)
`The Royal Academy (Second Notice)', The Speaker, 15 May 1897
168(2)
`Van Beers and Menpes', The Speaker, 22 May 1897
170(2)
`Pictures of Actors', The Speaker, 29 May 1897
172(2)
`Black and White Originals', The Speaker, 5 May 1897
174(3)
`Whistler's Etchings', The Times, 22 October 1908
177(1)
`The New Life of Whistler', Fortnightly Review, December 1908
178(10)
`Holbein's ``Duchess of Milan''', Morning Post, 11 May 1909
188(1)
`Straws from Cumberland Market', Art News, 20 January 1910
189(2)
`Stones from a Glass House', Art News, 27 January 1910
191(1)
`Abjuro', Art News, 3 February 1910
192(2)
`Where Paul and I Differ', Art News, 10 February 1910
194(2)
`Manet and the Impressionists', Art News, 17 February 1910
196(3)
`Art and Art Critics', Art News, 24 February 1910
199(1)
`The Greatest Living Critic', Art News, 3 March 1910
200(2)
`Solomon J. Solomon', Art News, 10 March 1910
202(2)
`Solomon J. Solomon: Amplification', Art News, 17 March 1910
204(3)
`The Allied Artists' Association', Art News, 24 March 1910
207(2)
`Open Letter to Mr Robert Ross', Art News, 31 March 1910
209(2)
`Fathers and Sons', Art News, 7 April 1910
211(2)
`Encouragement for Art', The New Age (Supplement), 7 April 1910
213(3)
`All We Like Sheep', Art News, 14 April 1910
216(1)
`A Correction', Art News, 14 April 1910
217(1)
`New Wine', The New Age, 21 April 1910
218(1)
`Painting and Criticism', Art News, 21 April 1910
219(2)
`Exhibititis', The New Age, 28 April 1910
221(2)
`The No-Jury System', Art News, 28 April 1910
223(2)
`The Aesthete and the Plain Man', Art News, 5 May 1910
225(1)
`Fashionable Portraiture', The New Age, 5 May 1910
226(2)
`Idealism', Art News, 12 May 1910
228(2)
`Goosocracy', The New Age, 12 May 1910
230(2)
`Sargentolatry', The New Age, 19 May 1910
232(3)
`The Spirit of the Hive', The New Age, 26 May 1910
235(3)
`Culture for the East-End', Art News, 26 May 1910
238(2)
`Allied Artists' Association', Art News, 2 June 1910
240(1)
`The New English and After', The New Age, 2 June 1910
240(3)
`Wriggle and Chiffon', The New Age, 9 June 1910
243(4)
`The Study of Drawing', The New Age, 16 June 1910
247(2)
`The Polish Rider', The New Age, 23 June 1910
249(3)
`Impressionism', The New Age, 30 June 1910
252(3)
`Soup-Kitchens or Trade', The New Age, 7 July 1910
255(3)
`The Allied Artists' Association', The New Age, 14 July 1910
258(2)
`The naked and the Nude', The New Age, 21 July 1910
260(4)
`The Language of Art', The New Age, 28 July 1910
264(3)
`The Contemporary Art Society', The New Age, 4 August 1910
267(4)
`Little Pictures for Little Patrons', The New Age, 11 August 1910
271(1)
`Art Criticism', The New Age, 8 September 1910
271(1)
`Post-Impressionists', Fortnightly Review, January 1911
272(10)
`L'Affaire Greaves', The New Age, 15 June 1911
282(3)
`Camille Pissarro', Stafford Gallery, 13 October 1911
285(3)
`The Old Ladies of Etching-needle Street', English Review, January 1912
288(8)
`Mr Sickert's Art Teaching', Westminster Gazette, 4 January 1912
296(1)
`Picarterbin', The New Age, 24 January 1912
297(1)
`The Works of Whistler', The New Age, 29 February 1912
298(1)
`A Critical Calendar', English Review, March 1912
298(6)
`The Futurist ``Devil-among-the-Tailors''', English Review, April 1912
304(6)
`The Works of Whistler', The New Age, 4 April 1912
310(1)
`The International Society', English Review, May 1912
310(5)
`The Royal Academy', English Review, June 1912
315(6)
`The Art of Mr Sickert', The New Age, 13 June 1912
321(1)
`Mural Decoration', English Review, July 1912
322(7)
`Law of Distortion', Pall Mall Gazette, 8 July 1912
329(1)
`Mr George Moore and the Future of Art', Pall Mall Gazette, 23 July 1912
330(1)
`Art Masters and Artists', Daily News and Leader, 11 April 1913
330(2)
`South Kensington and its Training', Daily News and Leader, 19 April 1913
332(1)
`The Artist as Teacher', Daily News and Leader, 2 May 1913
333(2)
`The Allied Artists', The Star, 13 July 1913
335(1)
`Apprentice or Student', The Times, 30 July 1913
336(1)
`The Nude in Art Schools', Pall Mall Gazette, 13 November 1913
337(1)
`Modern Art', The New Age, 22 January 1914
338(1)
`Mesopotamia-Cezanne', The New Age, 5 March 1914
338(4)
`Post-Impressionism and Cubism', Pall Mall Gazette, 11 March 1914
342(1)
`A Stone Ginger', The New Age, 19 March 1914
343(3)
`On Swiftness', The New Age, 26 March 1914
346(3)
`On Scale', The New Age, 2 April 1914
349(3)
`The Late Mr S. F. Gore', The New Age, 2 April 1914
352(1)
`A Perfect Modern', The New Age, 9 April 1914
353(3)
`Drawing from the Cast', The New Age, 23 April 1914
356(3)
`Mr Ginner's Preface', The New Age, 30 April 1914
359(3)
`Mr La Thangue's Paintings', The New Age, 7 May 1914
362(3)
`Transvaluations', The New Age, 14 May 1914
365(3)
`Mr Walter Sickert and Mr La Thangue RA', Pall Mall Gazette, 15 May 1914
368(1)
`Modern French Classics', The New Age, 21 May 1914
368(3)
`Whitechapel', The New Age, 28 May 1914
371(3)
`The New English Art Club', The New Age, 4 June 1914
374(2)
`On the Conduct of a Talent', The New Age, 11 June 1914
376(2)
`The Thickest Painters in London', The New Age, 18 June 1914
378(3)
`Democracy in Esse at Holland Park', The New Age, 25 June 1914
381(3)
`The Third National Loan Exhibition: Pictures From the Basildon Park and Fonthill Collections', Grosvenor Gallery, December 1914
384(2)
`A Monthly Chronicle: The Whistler Exhibition', Burlington Magazine, July 1915
386(2)
`An Early Landscape by William Maris', Burlington Magazine, August 1915
388(1)
`The Future of Engraving', Burlington Magazine, September 1915
389(6)
`Maurice Asselin', Carfax & Co., November 1915
395(1)
`Monthly Chronicle: Roger Fry; Maurice Asselin', Burlington Magazine, December 1915
396(4)
`A Monthly Chronicle: The London Group', Burlington Magazine, January 1916
400(2)
`Spencer Frederick Gore', Carfax & Co., February 1916
402(1)
`A Monthly Chronicle: The New English Art Club', Burlington Magazine, February 1916
403(1)
`The True Futurism', Burlington Magazine, March 1916
404(3)
`A Monthly Chronicle: O Matre Pulchra', Burlington Magazine, April 1916
407(2)
`A Monthly Chronicle: Forain', Burlington Magazine, May 1916
409(2)
`A Monthly Chronicle: Alvaro Guevara', Burlington Magazine, August 1916
411(2)
`Degas', Burlington Magazine, November 1917
413(9)
`Walter Bayes', Leicester Galleries, March 1918
422(1)
`A Well-Bred Artist: Nina Hamnett', Eldar Gallery, June 1918
423(1)
`Nina Hamnett', Cambridge Magazine, 8 June 1918
424(3)
`Therese Lessore', Arts and Letters, November 1918
427(3)
`Rops', New Statesman, 22 February 1919
430(1)
`Paul Cezanne', Anglo-French Review, 1920
430(3)
`The Arithmetic of Beauty', Manchester Guardian, 2 February 1920
433(1)
`Review: The Whistler Journal, by E. R. and J. Pennell', Burlington Magazine, March 1922
433(2)
`Johann Jurgen Sickert (1803--1864) and Oswald Adalbert Sickert (1828--1885)', Goupil Gallery, June 1922
435(1)
`French Art of the Nineteenth Century', Burlington Magazine, June 1922
436(5)
`Some French Cartoonists', Morning Post, 6 June 1922
441(3)
`Art in Oxford. Passive and Active Study', Morning Post, 12 June 1922
444(1)
`Art in Oxford. Amalgamation of Slade Professorships', Morning Post, 13 June 1922
445(1)
`Greek Poets in Notting Hill', Morning Post, 15 June 1922
445(1)
`Vanessa Bell', Burlington Magazine, July 1922
446(2)
`Diez, Busch and Oberlander', Burlington Magazine, October 1922
448(5)
`The Derby Day', Burlington Magazine, December 1922
453(2)
Degas: `The Sculptor of Movement', Leicester Galleries, February 1923
455(2)
`Wood-cuts of the `Sixties at the Tate', Burlington Magazine, March 1923
457(3)
`The Wertheimer Portraits', The Times, 13 March 1923
460(1)
`French Painters of the Nineteenth Century at the Lefevre Galleries', Nation and Athenaeum, 19 May 1923
461(2)
`French Pictures at Knoedler's Gallery', Burlington Magazine, July 1923
463(3)
`Modern Classics: Nineteenth-Century French Painters at Messrs Knoedler's', Nation and Athenaeum, 7 July 1923
466(2)
`A Monthly Chronicle: Degas; The Pre-Raphaelite Exhibition at the Tate Gallery', Burlington Magazine, December 1923
468(2)
`Straws from Cumberland Market', Southport Visiter, 24 January 1924
470(10)
`Mr Walter Sickert's story', Evening Standard, 9 February 1924
480(1)
`Mr Sickert's Art Lectures', Southport Visiter, 1 March 1924
480(1)
`Mr Sickert's Art Lecture', Southport Visiter, 15 March 1924
480(1)
`Mr Burrell's Collection at the Tate', Southport Visiter, 5 April 1924
481(2)
`Mr Burrell's Collection at the Tate, II', Southport Visiter, 19 April 1924
483(3)
`Fantin and Van Huysum', Southport Visiter, 26 April 1924
486(2)
`Mr Finberg and Turner', Southport Visiter, 3 May 1924
488(3)
`The Royal Academy', Southport Visiter, 10 May 1924
491(3)
`A Morning at Christie's', Southport Visiter, 17 May 1924
494(3)
`A Great Renoir', Southport Visiter, 24 May 1924
497(2)
`Callot', Burlington Magazine, September 1924
499(1)
`Modern French Painting', Burlington Magazine, December 1924
500(2)
Preface to an `Exhibition of paintings by S. J. Peploe, Leslie Hunter, F. C. B. Cadell, and J. D. Fergusson', January 1925
502(2)
`House of Lords War Memorial', The Times, 3 January 1925
504(1)
`Daumier's Pictures: Mr Sadleir's Eulogy', Daily Telegraph, 4 February 1925
504(4)
`The Importance of Being Canvas', Daily Telegraph, 4 March 1925
508(2)
Letter, Sunday Times, 29 March 1925
510(1)
`With Wisest Sorrow', Daily Telegraph, 1 April 1925
510(2)
`A ``New'' Whistler? Its Authenticity', Morning Post, 24 April 1925
512(1)
`Living Artists in the National Gallery', The Times, 27 April 1925
512(1)
`Is it a Whistler? Expert Opinion', Morning Post, 28 April 1925
513(1)
`Is it a Whistler? Style of Painting', Morning Post, 1 May 1925
514(1)
`The Whole Design', Morning Post, 4 May 1925
514(1)
`Modern Line Engraving', Daily Telegraph, 6 May 1925
515(2)
`My Ideal Collector', Morning Post, 9 May 1925
517(1)
`From the Life', Morning Post, 18 May 1925
518(1)
`The Word ``Poetess''', Morning Post, 23 May 1925
519(1)
`Self-Conscious Paint', Daily Telegraph, 3 June 1925
520(2)
`Pictures in Schools', The Times, 30 June 1925
522(1)
`Pictures for Schools', The Times, 3 July 1925
522(1)
`Queen Victoria at Westminster', The Times, 7 July 1925
523(1)
`Art in Schools', The Times, 18 July 1925
523(1)
`Mr W. S. Marchant', The Times, 24 September 1925
524(1)
`Illustration', Daily Telegraph, 7 October 1925
524(2)
`Fairy Food', Daily Telegraph, 4 November 1925
526(2)
`The Royal Academy', Nation and Athenaeum, 28 November 1925
528(1)
`A Manchester School of Painters?', Manchester Guardian, 2 December 1925
528(1)
`Criticism by Tocsin. Artist and Public', Daily Telegraph, 2 December 1925
529(1)
Preface to Eighty-Eight Cartoons by Powys Evans, 1926
530(3)
`Easel and Campstool', Daily Telegraph, 6 January 1926
533(1)
`Playing at Work', Daily Telegraph, 3 February 1926
534(2)
`The Arithmetic of Beauty', Manchester Guardian, 9 February 1926
536(1)
`The Great Modern', Daily Telegraph, 3 March 1926
537(1)
`On the Choice of Pictures', Manchester Guardian, 6 March 1926
538(2)
`Manchester City Art Gallery: Holman Hunt and the Pre-Raphaelites', Manchester Guardian, 8 March 1926
540(4)
`The Whitworth Art Gallery: Meaning of a ``Modern Collection''', Manchester Guardian, 9 March 1926
544(3)
`Farquharson & Courbet: Snowpiece and Palette-knife', Daily Telegraph, 7 April 1926
547(1)
`Exhibition of Drawings by Modigliani', Arthur Tooth & Sons, November 1926
548(1)
`Millet's ``Coup de Vent''', The Times, 9 November 1926
548(1)
`Old Masters and Living Artists', The Times, 1 December 1926
549(1)
`Constable's Country', The Times, 6 January 1927
549(1)
`Constable's Country', The Times, 14 January 1927
550(1)
```Impressionist'' Forgeries', Evening News, 7 March 1927
550(3)
`Lady Burdett-Coutts's Fountain', The Times, 10 March 1927
553(1)
```Alleged'' Whistlers', The Times, 14 March 1927
553(1)
`Art Students and Dealers', The Times, 4 April 1927
554(1)
`Broadcasting', Morning Post, 19 April 1927
554(1)
`The Function of a Landscape', The Times, 5 May 1927
555(1)
`Fading Masterpieces', Daily News, 24 May 1927
555(1)
`A Great Impressionist', Evening News, 30 May 1927
555(3)
`Old Masters and New', Morning Post, 12 July 1927
558(1)
`Disputed Whistlers', The Times, 25 July 1927
558(1)
`Picture Forgeries', The Times, 9 August 1927
559(1)
`Art and Utility', The Times, 15 September 1927
559(1)
Preface to `Exhibition of Paintings and Pastels by Antonio Mancini', Claridge Gallery, 52 Brook Street, 7--28 October 1927
560(1)
`Call for New Art Gallery', Daily Mirror, 25 October 1927
561(1)
`Roadside Art. Harmony and Accident', Morning Post, 29 October 1927
561(1)
`Lesser-Known Artists', The Times, 24 November 1927
562(1)
`Lesser-Known Artists', The Times, 26 November 1927
562(1)
`The Early Giants', The Times, 14 December 1927
563(1)
`Modern Posters. An Eminent Artist's Choice', Morning Post, 20 December 1927
563(1)
`Children's Taste in Art. Cotton Prints of Classics', Morning Post, 23 December 1927
563(1)
`Films and The Bible', The Times, 28 December 1927
564(1)
`Pictures for Children', Morning Post, 2 January 1928
564(1)
`The Tate Gallery Turners', The Times, 27 January 1928
564(1)
`Beautiful Petrol Pumps', Morning Post, 18 April 1928
565(1)
`Paul Maitland', Leicester Galleries, May 1928
565(1)
`The London Group', Sunday Times, 20 May 1928
566(1)
```Roussof'' and Whistler', The Times, 1 June 1928
567(1)
`Association Value', The Times, 7 June 1928
567(1)
`On Hanging Pictures', The Times, 16 June 1928
568(1)
`Selecting Committees', Sunday Times, 29 July 1928
568(1)
`Mr Sickert on Hanging', Morning Post, 6 November 1928
569(1)
`LCC Portrait Gallery', The Times, 13 November 1928
569(1)
`Functions of the Royal Academy', The Times, 20 December 1928
569(1)
`LCC and the Royal Academy', Observer, 27 January 1929
570(1)
`Duncan Grant', Nation and Athenaeum, 16 February 1929
570(2)
`Authentic Paintings. ``Whistler'' Owner's Plan to ``Pay by Results''', Daily Telegraph, 27 February 1929
572(1)
`Less-Known Artists', The Times, 2 March 1929
573(1)
`The ``Leonardo da Vinci'' Picture Trial. Tribute to Sir Joseph Duveen', Daily Telegraph, 6 March 1929
573(1)
`Less-Known Artists', The Times, 7 March 1929
573(1)
`Ex-Speaker's Portrait. The Parliamentary Tribute to Mr Whitley', Daily Telegraph, 11 March 1929
574(1)
`Reform in the Royal Academy', Daily Telegraph, 13 March 1929
574(1)
`Epstein's Panel. Representation of ``Ancient and Primitive Sculpture''?', Daily Telegraph, 19 March 1929
575(1)
`Pop(u)lar Art', Daily Herald, 22 March 1929
576(1)
`Epstein and Modern Sculpture. Mr Sickert's Championship', Daily Telegraph, 22 March 1929
576(1)
`Modern Art at Millbank', The Times, 23 March 1929
576(1)
`The Slade School', The Times, 26 March 1929
577(1)
`Ugliness in Art', Daily Telegraph, 2 April 1929
577(1)
`What Sort of Frame?', Daily Herald, 2 April 1929
578(1)
`Evidence of Camera', Daily Telegraph, 6 April 1929
578(1)
`The Disputed Romney', Daily Telegraph, 13 April 1929
579(1)
`New Art Society', Daily Herald, 15 April 1929
579(1)
`Summit of Snowdon', Daily Telegraph, 4 May 1929
579(1)
`Gasometers', The Times, 16 May 1929
580(1)
`English Coins and Stamps', The Times, 24 May 1929
580(1)
`John Everett Millais', Fortnightly Review, June 1929
581(7)
`Education in Art', The Times, 6 June 1929
588(1)
`Pictures for the Nation', The Times, 26 June 1929
588(1)
`A Professor of Painting', The Times, 4 July 1929
589(1)
`Epstein Sculpture. ``The Man in the Street'' and his Work', Daily Telegraph, 4 July 1929
589(1)
`The Haig Statue', The Times, 29 July 1929
589(1)
`The Haig Statue', The Times, 31 July 1929
590(1)
`Depression in Art. French School's Place in World Market', Daily Telegraph, 3 August 1929
590(1)
`The Haig Statue. Artists and the Camera', The Times, 15 August 1929
591(1)
`Mr Lawrence's Painting', New Statesman, 24 August 1929
592(1)
`An Artist and the Art Critics', Liverpool Post and Mercury, 1 October 1929
592(1)
`Pylons on the Downs', The Times, 5 October 1929
593(1)
`The Twenty-One Gallery', Observer, 6 October 1929
593(1)
`Future of the Autumn Exhibition', Liverpool Post and Mercury, 21 October 1929
593(1)
`Pylons on the Downs', The Times, 2 November 1929
594(1)
`Some French Painters', Fortnightly Review, December 1929
594(2)
`No-Jury Hanging', Daily Mail, 30 December 1929
596(1)
`The Tate Gallery', The Times, 30 December 1929
596(1)
`Italia! Italia!', Fortnightly Review, February 1930
597(5)
```Unsolved Art Problem''. Mr Richard Sickert Supports Our Art Critic', Morning Post, 18 February 1930
602(1)
`Copyright in Pictures', The Times, 27 February 1930
603(1)
`House of Lords Panels', The Times, 15 March 1930
603(1)
`Mr Brangwyn's Panels', The Times, 21 March 1930
604(1)
```Lancaster Gate'' in RBA. Mr Sickert Explains the Origin of His Painting', Morning Post, 1 April 1930
604(1)
`Painters' Rewards', Daily Telegraph, 8 May 1930
605(1)
`Painters' Rewards. Profit on Auction Sales', Daily Telegraph, 12 May 1930
605(1)
`Painters' Rewards', Daily Telegraph, 15 May 1930
606(1)
`The Royal Academy. Jogging the Elbows of the Forty', Daily Telegraph, 26 May 1930
606(1)
`The Tate Gallery. Collection restricted to British Art', Daily Telegraph, 11 June 1930
607(1)
`Professor Tonks', The Times, 8 July 1930
607(1)
`Art and the Gasometer. Questions of Colouring', Daily Telegraph, 29 August 1930
607(1)
`Picture Exhibitions. Hanging to Occupy the Full Walls', Daily Telegraph, 8 January 1931
608(1)
`Earl Haig Statue. Criticism that Awaits Reply', Daily Telegraph, 26 January 1931
608(1)
`Earl Haig Statue. Portraiture in Art,' Daily Telegraph, 30 January 1931
609(1)
`The Sources': English Echoes, A Series of New Paintings by Richard Sickert ARA', Leicester Galleries, May 1931
609(1)
`Paint and the Camera', The Times, 1 May 1931
610(1)
`Camille Pissarro (1830--1903)', Leicester Galleries, June 1931
611(1)
```Tea-Trays'' In Art', The Times, 10 July 1931
611(1)
`Flood-Lighting. Flatness or Plasticity', Daily Telegraph, 11 September 1931
612(1)
`Richard Sickert on Why Our Artists Fail', Daily Herald, 10 November 1931
612(1)
`The Twentieth Century', Leicester Galleries, January 1932
612(3)
`The Derby of 1821', The Times, 12 January 1932
615(1)
`Within the Nineteenth Century', Burlington Magazine, February 1932
615(2)
`Free Trade in Art', The Times, 17 February 1932
617(1)
`The Elgin Marbles', The Times, 27 February 1932
617(1)
`Degas the Painter. Changes of Signature', Daily Telegraph, 22 March 1932
618(1)
`Mr Albert Ludovici', The Times, 26 March 1932
618(1)
`Our Debt to French Art. A Rejoinder to Lord Lee', Daily Telegraph, 23 June 1932
619(1)
`Guide Lectures', The Times, 16 July 1932
619(1)
`Modernism in Art', The Times, 2 August 1932
620(1)
`The Colour Print. Picture Values of the Man in the Street', Daily Telegraph, 26 August 1932
620(1)
`Vermeer's Technique Explained', Daily Telegraph, 4 October 1932
621(1)
`Aids to the Painter', Daily Telegraph, 7 October 1932
621(1)
`Sadler's Wells', The Times, 26 October 1932
621(1)
`Exhibition of Water Colour Drawings by Walter Taylor', R.E.A. Wilson, 24 Ryder Street, St James, November 1932
622(1)
`Sadler's Wells', The Times, 5 November 1932
623(1)
`Famous Artist's Warning', Daily Herald, 23 November 1932
623(1)
`James Barry's Studio', The Times, 15 December 1932
624(1)
`Art and Logic', The Times, 1 March 1933
624(1)
`Painting from Nature', The Times, 31 March 1933
625(1)
`Painting from Nature', The Times, 3 April 1933
625(1)
`BBC Statuary', The Times, 26 April 1933
626(1)
`Burne-Jones', The Times, 20 June 1933
626(1)
`Pictures at Exhibitions. Making More of Display', Daily Telegraph, 28 September 1933
626(1)
`Restoration of Old Masters', The Times, 3 November 1933
627(1)
`Degas', The Times, 19 December 1933
628(1)
`John Collier's Paintings', The Times, 17 April 1934
628(1)
`Prestige of the Academy', Daily Telegraph, 28 April 1934
628(1)
`Whistler. The Artist in Practice', The Times, 12 July 1934
629(1)
`Artist and the Sitter', Daily Telegraph, 17 August 1934
630(1)
```Who Painted It?'' From the President of the Royal Society of British Artists', Sunday Times, 26 August 1934
630(1)
Letter, The Times, 7 September 1934
630(1)
`John Constable', The Times, 24 September 1934
631(1)
`Constable', The Times, 27 September 1934
631(1)
`Drawing from Nature', lecture, 26 October 1934
632(2)
`Squaring Up a Drawing', lecture, 2 November 1934
634(6)
`Underpainting', lecture, 9 November 1934
640(9)
`Colour Study: Importance of Scale', lecture, 16 November 1934
649(8)
`Engraving, Etching, etc.', lecture, 23 November 1934
657(7)
`Black and White Illustration', lecture, 30 November 1934
664(8)
`Painters and the Stage', The Times, 12 December 1934
672(1)
`Mr William Poel', The Times, 18 December 1934
672(1)
`Hire Purchase for Pictures', The Times, 21 January 1935
672(1)
`Loans of Pictures Oversea', The Times, 2 February 1935
673(1)
`Degas and Forain', Daily Telegraph, 18 March 1935
673(1)
`Background for Pictures', The Times, 2 April 1935
674(1)
`The National Gallery', Daily Telegraph, 20 April 1935
674(1)
`Modern Art and Life', Daily Telegraph, 25 April 1935
675(1)
`Joseph Crawhall', Sunday Times, 28 April 1935
675(1)
`Royal Academy Rules. Some Proposals not Accepted', Daily Telegraph, 29 April 1935
676(1)
`Mr Stanley Spencer's Pictures', Sunday Times, 5 May 1935
676(1)
`Mr Sheepshanks's House', Morning Post, 10 May 1935
677(1)
`The Epstein Statues in the Strand', Daily Telegraph, 11 May 1935
677(1)
`Mr Sickert Resigns from the Royal Academy. Sequel to Epstein Controversy', Daily Telegraph, 21 May 1935
678(1)
```Charley's Aunt'' by Thomaso Brandoni', Morning Post, 12 June 1935
678(1)
`Foreword' to New Paintings by Richard Sickert, Beaux Arts Gallery, 5 July 1935
679(1)
`Monet's Water-Lilies', Sunday Times, 14 July 1935
680(1)
`Paintings and Air', Daily Telegraph, 21 September 1935
680(1)
`Artist's One Picture', Daily Telegraph, 6 October 1935
681(1)
`A Famous Reynolds. First Sketch for ``Mrs Sheridan''', Daily Telegraph, 11 October 1935
681(1)
`The Care of Old Paintings', Morning Post, 9 January 1936
682(1)
`The Worthiest Monument', Daily Telegraph, 3 February 1936
682(1)
Letter, Sunday Times, 16 February 1936
683(1)
`Whistler's Letters', Daily Telegraph, 18 February 1936
683(1)
`Whistler's Portrait of Lady Eden', Morning Post, 21 February 1936
683(1)
`A Great Artist', Observer, 19 April 1936
684(1)
`Emil Lessore', Morning Post, 23 April 1936
684(1)
`The French Impressionists. Manet and Berthe Morisot', Morning Post, 11 May 1936
685(1)
`Statue of the King', Daily Telegraph, 3 September 1936
685(1)
`Nation's Monument to King George', Daily Telegraph, 18 September 1936
686(1)
`The Tip of Snowdon', Daily Telegraph, 28 September 1936
686(1)
`National Portraits', Daily Telegraph, 24 October 1936
687(1)
Letter, Daily Telegraph, 31 December 1936
687(1)
`Mounting Paintings', Observer, 4 July 1937
688(1)
`Inefficient Art Students', Morning Post, 24 July 1937
688(1)
`Epstein', News Chronicle, 3 November 1937
688(1)
Appendix 689(4)
Index 693

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Rewards Program