Acknowledgments | |
Introduction | |
Beachhead - The 1970s | p. 1 |
I Don't Want to Watch, I Want to Play | p. 5 |
We Don't Want Anything Itsy-Poo | p. 24 |
She's Young, She's Pretty, and - She's a Producer! | p. 40 |
The Start of a Wonderful Heyday for Women | p. 57 |
Get Me a Woman! | p. 80 |
You Don't Meet Boring People in This Business | p. 99 |
I Don't Know Any Women - Getting Organized | p. 112 |
I Was Supposed to Be Hedda Hopper | p. 126 |
Securing the Perimeter - The 1980s | p. 151 |
Yes, Sir, Giving Way to Yes, Ma'am | p. 155 |
Chutes and Ladders - Executive Games in the 1980s | p. 170 |
More Ladders Than Chutes - The Newcomers | p. 190 |
Women Make Good Producers - Movies | p. 209 |
Getting on the Yellow Brick Road - Producing for Television | p. 224 |
A Different Take on the Set | p. 242 |
Breakthrough - The 1990s | p. 271 |
The Suit with Legs | p. 275 |
Don't Ever Take It Personally | p. 291 |
Hiring a Woman (Writer) Is the Hip Thing to Do | p. 309 |
This Is What Men Do | p. 327 |
Making the Whole Frame in the '90s | p. 342 |
Epilogue: How Far is Far? | p. 361 |
Author's Note | p. 379 |
Endnotes | p. 381 |
List of Women Interviewed | p. 423 |
Bibliography | p. 433 |
Index | p. 437 |
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