After Human A Critical History of the Human in Science Fiction from Shelley to Le Guin

by Connolly, Thomas

• ISBN13: 9781802073645
• ISBN10: 1802073647
• Format: Paperback
• Copyright: 2024-03-01
• Publisher: Liverpool University Press

Summary

Shortlisted for the British Fantasy Awards (Non-Fiction) 2022

Shortlisted for the Locus Science Fiction Foundation Non-Fiction Award 2022

SF has long been understood as a literature of radical potential, capable of imagining entirely new worlds and ways of being. Yet SF has been slow to embrace posthumanist ideas about the human subject. The human of the SF tradition is instead a liminal being, caught somewhere between the transcendent 'Man' of classical humanism and the subversive 'cyborg' of posthumanist thought.

This study offers a critical history of the 'human' in SF. By examining a range of SF works from 1818 to the 1970s, it seeks to answer some key questions: What role does technology play in defining what it means to be - or not to be - human? How do these writers understand the relationship between humanity and the rest of nature? And how can we use SF to re-examine our ethical position towards the non-human world and move to more egalitarian understandings of the human subject?

Table of Contents

Introduction: 'Beyond the common range of men': H.G. Wells, the OncoMouse, and the Human in Anglo-American SF

1. Worlds Lost and Gained: Evolution, Primitivism, and the Pre-Human in Arthur Conan Doyle's The Lost World and Jack London's The Iron Heel

2. Soma and Skylarks: Technocracy, Agency and the Trans-Human in Aldous Huxley's Brave New World and E.E. 'Doc' Smith's Skylark Series

3. Homo Gestalt: Atomics, Empire, and the Supra-Human in Isaac Asimov's Foundation and Arthur C. Clarke's The City and the Stars

4. Disaster and Redemption: Utopia, Nature, and the Post-Human in J.G. Ballard's The Crystal World and Ursula K. Le Guin's The Dispossessed

Conclusion: Bio/Techno/Homo: The Future of the Human in SF