Acknowledgments | |
Introduction: Aging, Gender, and Creativity | p. 1 |
Theories of Creativity, Aging, and Gender | |
Creativity, Aging, Gender: A Study of Their Intersections, 1910-1935 | p. 19 |
Another Model of the Aging Writer: Sarton's Politics of Old Age | p. 49 |
Suicide and the Illusion of Closure: Aging, Depression, and the Decision to Die | p. 61 |
Late Theory, Late Style: Loss and Renewal in Freud and Barthes | p. 82 |
Against the Dying of the Light: Death and Creativity | |
Lethal Brevity: Louise Bogan's Lyric Career | p. 105 |
The Virgin and the Gipsy: Rewriting the Pain | p. 121 |
The Origins of Late Style | |
Self-Representation and Memorials in the Late Poetry of Swift | p. 141 |
The Liberation of Mourning in Elizabeth Bowen's The Little Girls and Eva Trout | p. 164 |
Montherlant and the Problem of the Aging Pederast | p. 187 |
Oh What a Paradise It Seems: John Cheever's Swan Song | p. 204 |
The Phenomenology of Aging | |
Quod Temptabam Scribere Versus Erat: Ovid in Exile | p. 229 |
Colette: Rewriting the Script for the Aging Woman | p. 242 |
Being Old: The Example of Dorothy Richardson | p. 258 |
Old-Age Freedom in Josephine Miles's Late Poems, 1974-79 | p. 271 |
Aging, Gender, and the Deterioration of Southern Family Values in the Stories of Peter Taylor | p. 296 |
"Keeping Our Working Distance": Maxine Kumin's Poetry of Loss and Survival | p. 314 |
Abbreviations | p. 341 |
Bibliography | p. 343 |
Contributors | p. 365 |
Index | p. 369 |
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