9780495008941

Anthology for Music in Western Civilization, Volume C Romanticism to the Present

by ; ;
  • ISBN13:

    9780495008941

  • ISBN10:

    049500894X

  • Edition: 1st
  • Format: Paperback
  • Copyright: 2005-07-28
  • Publisher: Schirmer

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Summary

The perfect companion to MUSIC IN WESTERN CIVILIZATION! With an introduction to, a score for, and lyrics and translation for each piece, ANTHOLOGY FOR MUSIC IN WESTERN CIVILIZATION, VOLUME C: ROMANTICISM TO THE PRESENT enhances your understanding of the major European styles, genres, and composers.

Table of Contents

Composers and Titles xiii
Preface xvii
Credits xix
Part VI THE ROMANTIC PERIOD
Franz Schubert
1117(16)
Franz Schubert, ``Erlkonig'' (1815)
1117(7)
Franz Schubert, ``Ganymed'' (1817)
1124(7)
Franz Schubert, ``Nahe des Geliebten'' (1815)
1131(2)
Music in Paris Under Louis Philippe: Berlioz and Chopin
1133(38)
Hector Berlioz, Symphonie fantastique (1830), Fourth movement, ``March to the Scaffold''
1133(26)
Hector Berlioz, ``Absence'' from Les nuits d'ete (1840)
1159(6)
Frederic Chopin, Nocturne in Db Major, Opus 27, No. 2 (1835)
1165(6)
Leipzig and the Gewandhaus: Felix Mendelssohn and the Schumanns
1171(37)
Felix Mendelssohn, Piano Trio in D Minor, Opus 49 (1839), First movement, Molto allegro ed agitato
1171(23)
Robert Schumann, Symphony No. 1 (1841), Second movement, Largetto
1194(10)
Clara Schumann, ``Liebst du um Schonheit'' (1841)
1204(4)
German Opera of the Nineteenth Century: Weber and Wagner
1208(23)
Carl Maria von Weber, Der Freischutz (1821), Act 2, Wolf's Glen Scene, concluding section
1208(8)
Richard Wagner, Das Rheingold (1854), Entrance of the Gods into Valhalla
1216(15)
Opera in Italy: Rossini and Verdi
1231(42)
Gioachino Rossini, The Barber of Seville (1816), Act 1, No. 1
1231(27)
Introduzione, ``Piano, pianissimo''
1232(6)
Cavatina, ``Ecco ridente''; Seguito dell'Introduzione, ``Ehi, Fiorello''
1238(20)
Giuseppe Verdi, Otello (1887), Act 4, scene 3
1258(15)
Nationalism and Virtuosity: Franz Liszt
1273(14)
Franz Liszt, Hungarian Rhapsody No. 15 (Rakoczy March) (1853)
1273(14)
Vienna in the Late Nineteenth Century: Brahms and Bruckner
1287(55)
Johannes Brahms, Symphony No. 3 (1883), First movement, Allegro con brio
1287(47)
Johannes Brahms, ``Feldeinsamkeit,'' Opus 86, No. 2 (c1879)
1334(3)
Anton Bruckner, Christus factus est (1884)
1337(5)
Music and Ballet in Nineteenth-Century Russia: Mussorgsky and Tchaikovsky
1342(25)
Modest Mussorgsky, Sunless, ``Within Four Walls'' (1874)
1342(3)
Peter llyich Tchaikovsky, The Nutcracker (1892), Act 1, scene 8
1345(22)
Vienna at the Turn of the Twentieth Century: Gustav and Alma Mahler
1367(23)
Gustav Mahler, ``Um Mitternacht'' (1901)
1367(11)
Gustav Mahler, Symphony No. 5 (1902), Fourth movement, Adagietto
1378(8)
Alma Mahler, ``Die stille Stadt'' (c1901)
1386(4)
England at the End of the Romantic Period: Elgar and Vaughan Williams
1390(9)
Edward Elgar, ``Enigma'' Variations (1899)
1390(9)
Theme
1391(3)
Ninth Variation (``Nimrod'')
1394(5)
Opera in Milan after Verdi: Puccini, Toscanini, and Verismo
1399(5)
Giacomo Puccini, Madama Butterfly (1904), Aria, ``Dovunque al mondo''
1399(5)
Paris in the Belle Epoque: Debussy, Faure, and Lili Boulanger
1404(41)
Claude Debussy, Fetes galantes I (1891), ``En sourdine''
1404(5)
Claude Debussy, Images I (1905), ``Reflets dans l'eau''
1409(8)
Claude Debussy, Nocturnes (1900), ``Nuages''
1417(18)
Gabriel Faure, ``Dans la foret de septembre,'' Opus 85, No. 1 (1902)
1435(6)
Lili Boulanger, Clairieres dans le ciel (1914), ``Elle est gravement gaie''
1441(4)
Part VII THE EARLY TWENTIETH CENTURY
Richard Strauss in Berlin
1445(20)
Richard Strauss, Salome (1905), concluding scene
1445(20)
Music in Russia During the Silver Age: Igor Stravinsky
1465(20)
Igor Stravinsky, The Rite of Spring (1913)
1465(20)
Procession of the Sage
1467(7)
The Sage
1474(1)
Dance of the Earth
1474(11)
Atonality: Schoenberg and Scriabin
1485(12)
Arnold Schoenberg, Piano Piece, Opus 11, No. 1 (1909)
1485(5)
Arnold Schoenberg, Pierrot lunaire (1912), No. 8, ``Nacht (Passacaglia)''
1490(4)
Alexander Scriabin, Piano Prelude, Opus 74, No. 5 (1914)
1494(3)
French Music at the Time of World War I: Ravel and Satie
1497(9)
Maurice Ravel, Le tombeau de Couperin (1914-1917), Rigaudon
1497(5)
Erik Satie, Sarabande No. 2 for Piano (1887)
1502(4)
New Music in Paris After World War I: Stravinsky and The Six
1506(15)
Igor Stravinsky, Octet (1923), First movement, ``Sinfonia''
1506(12)
Darius Milhaud, Saudades do Brazil (1920), ``Botafogo''
1518(3)
Vienna in the Aftermath of War: Twelve-Tone Methods
1521(41)
Arnold Schoenberg, String Quartet No. 4 (1936), First movement, Allegro molto, energico
1521(32)
Anton Webern, Symphony, Opus 21 (1928), Second movement, Sehrruhig
1553(9)
Musical Theater in Germany in the 1920s: Berg and Weill
1562(14)
Alban Berg, Wozzeck (1914-1922), Act 3, scene 2
1562(10)
Kurt Weill, The Threepenny Opera (1928), ``Ballad of Mac the Knife''
1572(4)
Bela Bartok and Hungarian Folk Music
1576(33)
Bela Bartok, Eight Hungarian Folksongs, ``Fekete fod'' (c 1907)
1576(3)
Bela Bartok, Concerto for Orchestra (1943), First movement, Andante non troppo; Allegro vivace
1579(30)
Early Jazz
1609(4)
Scott Joplin, ``Maple Leaf Rag'' (1899)
1609(4)
Paul Hindemith and Music in Nazi Germany
1613(17)
Paul Hindemith, Mathis der Maler (1935), Scene 6, entrance 3
1613(17)
Music in Soviet Russia: Prokofiev and Shostakovich
1630(30)
Sergei Prokofiev, Piano Sonata No. 7 (1939-1942), Third movement, Precipitato
1630(8)
Dmitri Shostakovich, Piano Concerto No. 1 (1933), First movement, Allegro moderato
1638(22)
Self-Reliance in American Music: Ives, Seeger, Nancarrow
1660(20)
Charles Ives, ``Feldeinsamkeit'' (1897)
1660(4)
Charles Ives, ``Charlie Rutlage'' (c1920)
1664(5)
Charles Ives, The Unanswered Question (1906)
1669(6)
Ruth Crawford Seeger, String Quartet (1931), Third movement, Andante
1675(5)
American Composers Return from Europe: Copland and Barber
1680(29)
Aaron Copland, Piano Variations (1930)
1680(15)
Aaron Copland, Appalachian Spring (Suite 1945), Variations on a Shaker Hymn
1695(11)
Samuel Barber, Hermit Songs (1953), ``Sea-Snatch''
1706(3)
Tin Pan Alley and the Broadway Musical
1709(24)
George Gershwin, ``The Man I Love'' (1924)
1709(4)
Richard Rodgers and Oscar Hammerstein II, Oklahoma! (1943), ``I Cain't Say No!''
1713(6)
Leonard Bernstein, West Side Story (1957), ``Cool''
1719(14)
Part VIII CONTEMPORARY MUSIC
Reflections on War: Britten, Penderecki, and Others
1733(24)
Benjamin Britten, War Requiem (1961), Agnus dei
1733(6)
Krzysztof Penderecki, Threnody for the Victims of Hiroshima (1960)
1739(18)
Twelve-Tone Music and Serialism After World War II
1757(15)
Milton Babbitt, Composition for Piano No. 1 (1947)
1757(6)
Igor Stravinsky, Agon (1953-1957), Bransle Double
1763(6)
Pierre Boulez, Le marteau sans maitre (1955), ``L'artisanat furieux''
1769(3)
Alternatives to Serialism: Chance, Electronics, Textures
1772(21)
John Cage, Music of Changes (1951), Part I
1772(10)
Olivier Messiaen, ``Mode de valeurs et d'intensites'' (1949)
1782(11)
Music in the 1960s and 1970s: Live Processes, Minimalism, Metric Modulations
1793(24)
Luciano Berio, Circles (1960), ``stinging''
1793(6)
George Crumb, Ancient Voices of Children (1970), ``¿De donde vienes?''
1799(3)
Elliott Carter, String Quartet No. 2 (1959), Introduction and first movement (Allegro fantastico)
1802(13)
Steve Reich, Clapping Music (1972)
1815(2)
Returning to the Known: Music of the Recent Past
1817
Gyorgy Ligeti, Hungarian Rock (1978)
1817(1)
John Adams, Nixon in China (1987), Act 1, scene 1, ``News''
1819(20)
Joan Tower, Fanfare for the Uncommon Woman, No. 1 (1986)
1839(11)
Arvo Part, Berlin Mass (1990), Credo
1850

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